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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The mighty Jean Luc Ponty in all his 70s glory – taking the violin from the realm of more staid European jazz roots, and using it to rival some of the bigger fusion soloists of the decade! Ponty's key here is the way he uses the electrified instrument almost like a keyboard – spinning ... LP, Vinyl record album
With Alan Zavod on keyboards, Joaquin Lievano and Jamie Glaser on guitars, Ralphe Armstrong on basss, and Casey Scheuerell on drums. LP, Vinyl record album
An album that really lives up to its title – as the mighty Jean Luc Ponty mixes together keyboards and electric violin in a really cosmic style – pushing forward both his music and the sound of 70s fusion at the same time – and with the sort of rock-solid approach that always ... LP, Vinyl record album
A really beautiful early album from the legendary Jean-Luc Ponty – a set that's maybe more straight jazz than some of his later work, and which also represents a pivotal shift in the use of the violin in jazz! Ponty's phrasing here is very different than previous players who handled the ... LP, Vinyl record album
A great one from Sonny Fortune – done with the fusiony sound he was working so well with at the time, and still filled with a tight conception and an incredible group of musicians who bring depth and deliver some really great solos! The title track is an incredible 10 minute cut that breaks ... LP, Vinyl record album
The three or four shades of the blues here are all pretty darn deep – as Charles Mingus is returning to the soulful gospel-influenced mode he swung big in the early 60s! The record's something of a later predecessor of the classics Blues & Roots for Atlantic and Mingus (x5) for Impulse ... LP, Vinyl record album
Killer work from Freddie Hubbard – some key transitional sides for Atlantic Records, and easily some of his most soulful work ever! Freddie started out as a bopper on Blue Note, but then made a great shift at Atlantic – exploring space and sound in a really wonderful way, and opening ... LP, Vinyl record album
Wonderful wonderful wonderful work from the legendary John Coltrane – and even though it's probably one of his best-selling albums of all time, it's still a treasure – and has an essential place in just about any jazz collection! We've heard the original title version of "My ... LP, Vinyl record album
Much cooler than you'd guess from the classical-sounding title – thanks to the fact that Roy Ayers plays vibes and Sonny Sharrock plays guitar – and the whole thing was arranged by William Fischer! LP, Vinyl record album
Truly one of the Modern Jazz Quartet's greatest albums – and a set that has an edge and a darkness that's missing from some of their other Atlantic records! Part of the reason for this may be the group's fantastic reading of Ornette Coleman's "Lonely Woman" – a killer moody ... LP, Vinyl record album
Classic Atlantic Records work from Herbie Mann – a sweet selection of soulful gems from his 60s and early 70s recordings for the label! LP, Vinyl record album