This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A really rich album by Sarah Vaughan – recorded in Paris in 1958, with orchestrations by Quincy Jones – and large group backing that includes some great tenor work by Zoot Sims! The session's one of Vaughan's most cohesive albums of the period, and although it's got "violins" ... LP, Vinyl record album
A dozen classics from sassy Sarah Vaughan's Mercury years, including "Misty", "Broken Hearted Melody", "Make Yourself Comfortable", "Autumn In New York", "Moonlight In Vermont", "How Important Can It Be", "Smooth Operator", " ... LP, Vinyl record album
Sarah Vaughan's most stripped-down session – a record that really does just have "plus 2" added to the lady's lovely vocals! Backing here are only by Barney Kessel on guitar and Joe Comfort on bass – accompanying Sarah in a moody, mellow, late nite mode that's far different ... LP, Vinyl record album
Fantastic Roulette Records material from Sarah Vaughan – and exactly the kind of set that demonstrates the new level of maturity she hit at the label! The cover and title might make you expect a Wee Small Hours sort of record, but the approach is more varied, and really shows off all of ... LP, Vinyl record album
An important early live show for Nina – a move to the classy Town Hall crowd, filled with left-leaning listeners who were the perfect audience to get the unique bag she was working on at the time – heard in very appreciative tones throughout the set! The performance is a great one ... LP, Vinyl record album
A very different album than usual for June Christy – one of her last for Capitol, and a very swinging, upbeat affair! As the title implies, June's singing a set of tunes made famous during the glory days of the big bands – tracks associated with Duke Ellington, Tommy Dorsey, Artie Shaw ... LP, Vinyl record album
Joe Williams is away from Count Basie here, but he's still sounding great – and getting a slightly warmer approach overall – in keeping with the promise of the title! The arrangements aren't credited on the notes, but they've got a slightly lusher feel than Basie – a bit more ... LP, Vinyl record album
A nice moody one from Nat's later years – with arrangements by Gordon Jenkins, and unusual titles that include "No I Don't Want Her", "Where Did Everybody Go", "If Love Ain't There", "Someone To Tell It To", and "I Keep Goin Back To Joe's". LP, Vinyl record album
One of the greatest albums ever by the consummate jazz hipster – Babs Gonzales! Babs was part singer, part poet, and part philosophy – working in a jive-heavy style that was filled with inside jokes on the New York jazz scene of the postwar years – and peopled with odd characters ... LP, Vinyl record album