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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A pretty darn great album – with a wonderful mix of JATP swing and strong-handed drumming by the leaders. The material was mostly recorded at a Jazz At The Philharmonic show at Carnegie Hall in 1952, and although the main focus appears to be Krupa and Rich's drum work, there's actually some ... LP, Vinyl record album
A real high point in Jimmy Smith's famous 60s run at Verve Records – a key collaboration with arranger Lalo Schfrin, who brings a great blend of jazz and soundtrack styles to Jimmy's famous groove on the Hammond! Lalo's backings are totally great – with touches of Latin and Brazilian ... LP, Vinyl record album
Ahhh . . . Diz in the 50s. What a great thing! He's post bop, post cubop, but still has all the best elements of those eras – wrapped up into a more complicated Latin-tinged style that's filled with warmth, humor, and some pretty compelling grooves. This set is one of Diz's best from the ... LP, Vinyl record album
A really sweet little album from guitarist Kenny Burrell – one in which he takes older tunes ("a generation ago"), and updates them with a sweetly compressed Verve 60s groove ("today"!) The record features 2 small groups – one with Ron Carter, Grady Tate, and Phil ... LP, Vinyl record album
A nice little 2-fer collecting two great meetings of two greats! Jug and Stitt go head to head on Boss Tenors, a classic album of tracks that perfectly captures the joy and fury of their live performances from years before! The record was cut in Chicago with a very hard rhythm section that ... LP, Vinyl record album
An assortment of material that Wes Montgomery recorded for Verve before his too-early death – which the label then collected together as a surprisingly good posthumous release for Wes! There's a really great feel to the record – a mix of small combo and large group settings that offers ... LP, Vinyl record album
A pivotal album in the career of Lee Konitz – and one that shows him really stretching out, past his tightly arranged style of the 50s! Lee's working here in a fairly free trio setting – backed by only Sonny Dallas on bass and Elvin Jones on drums. Jones plays loosely and openly on ... LP, Vinyl record album
Features Ella Fitzgerald on vocal performances of "April In Paris", "Party Blues", and "Every Day I Have The Blues" – with Count Basie backing. Also features a jam session version of "Billie's Bounce" – with Art Blakey, Charles Mingus, Tal Farlow ... LP, Vinyl record album
A rare treat – 2LPs worth of material by Johnny Hodges, recorded at the end of the 50s, but never issued until this late 70s set! The first disc features a 1959 session, with players that include Harold Baker, Quentin Jackson, Ben Webster, Jimmy Hamilton, and Jo Jones – accompanying ... LP, Vinyl record album
A slightly different album than usual for Lee Konitz in the 50s – one that's got a bit harder edge, and which has Lee working in a group with a trumpet! The set's performed by a quintet that includes Konitz usual suspects Sal Mosca on piano and Peter Ind on bass, along with Shadow Wilson on ... LP, Vinyl record album
Sublime early work from Stan Getz – a lyrical genius even at this early point in his career! There's a subtle brilliance here that's undeniable – a tenor sound that draws from Lester Young and Ben Webster, but which pushes into fresh new territory for the 50s – lean, but still ... LP, Vinyl record album
A great album, and unlike anything else Donald Byrd ever recorded – almost mad hodgepodge of the styles Byrd used at Blue Note, as the session brings together funky soul jazz with vocal backings – linking the groove of At The Races with the choral stylings of A New Perspective! The ... LP, Vinyl record album