CD, LP, Vinyl record album cover art
Enlarge       Note

Not Really The Blues

LP (Item 52863) Prestige, Mid 50s — Condition: Very Good-
(€7.31 || £6.47 || ¥989) (approx.)

Ahhhh . . . The Jam Session years of Gene Ammons! This album was one of a number that Jug cut for Prestige during the mid 50s, all excellent examples of how perfectly the label's "blowing session" style could work when it wanted to. The set takes Ammons' tenor, and groups it with an all-star cast that includes Art Farmer and Donald Byrd on trumpets, Jackie McLean on alto, Mal Waldron on piano, Doug Watkins on bass, and Art Taylor on drums. All the horn players are given free reign to solo – and as most of the tracks go on and on and on, they really get room to open up, blowing with the kind of competitive creativity you'd hear in a live set at the same time. Includes three long tracks: "Not Really The Blues", "Jammin With Gene", and "We'll Be Together Again". Also issued under the title Jammin With Gene. (Blue label pressing. Cover has a cutout hole.)  © 1996-2018, Dusty Groove, Inc.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Prestige, Mid 50s. Very Good+
Ahhhh . . . The Jam Session years of Gene Ammons! This album was one of a number that Jug cut for Prestige during the mid 50s, all excellent examples of how perfectly the label's "blowing session" style could work when it wanted to. The set takes Ammons' tenor, and groups it with an ... LP, Vinyl record album
In Sweden
Enja (Germany), 1981. Near Mint-
... LP, Vinyl record album
Early Visions
Chess, Late 40s/Early 50s. Near Mint- 2LP Gatefold
24 tracks that perfectly illustrate all that was great about Gene Ammons in his early days – a set of singles and 78s recorded for Chess in the late 40s and early 50s, featuring players that include Tom Archia, Matthew Gee, Junior Mance, Sonny Stitt, and Bill Massey. Titles include "Do ... LP, Vinyl record album
Brother Jug!
Prestige, 1970. Very Good
One of Jug's funkier albums from his time back out of the pen, and a tasty electric session with Billy Butler on guitar and Sonny Phillips on organ. Pretty Purdie plays drums, and he kicks it nice and lean on the great groover "Jungle Strut". The album also features a nice version of ... LP, Vinyl record album
Goodbye
Prestige, 1975. Near Mint-
Gene Ammons' last session – not as funky as earlier work for Prestige, but pretty nice at that! The group's got Gary Bartz on alto, Kenny Drew on piano, Sam Jones on bass, Louis Hayes on drums, and Nat Adderley on cornet – and they groove together well, in the kind of soul jazz/modal ... LP, Vinyl record album
Free Again
Prestige, 1973. Very Good
Dang! Poor Gene Ammons kept getting stuck with albums that had titles which referenced his prison time! Fortunately, the quality of this one's good enough to live past the stupid name – and the record has Gene blowing with a larger group of west coast soul jazz players, arranged by Bobby ... LP, Vinyl record album
Got My Own
Prestige, 1973. Very Good
A more laidback set than usual from Ammons' early 70s stretch on Prestige – but a record that nicely gets back to that big-toned tenor sound he used often on ballads from earlier years! The combo mixes both electric piano and organ – the former from Hank Jones, the latter from Ernie ... LP, Vinyl record album
Big Bad Jug
Prestige, 1972. Near Mint-
Jug's big and bad here in tone – and the style is nicely complicated at times – a bit more open-ended and electric than before, with a sound that's almost like the shift that Stanley Turrentine was making during his years at CTI! There's still a bit of the previous Prestige funk in the ... LP, Vinyl record album
Honeydripper
Prestige, Early 60s. Sealed
One of the records that put a young Brother Jack McDuff on the map – and a perfect example of the rougher R&B roots that first emerged in his early work on the Hammond! The session's got a much more down-n-dirty feel than some of McDuff's tighter 60s quartet work – and offers a ... LP, Vinyl record album
Prestige/Analogue Productions, 1955. Near Mint- 2LP
A beautiful little record by Miles Davis – oft overlooked next to some of the better-titled Prestige sessions of the 50s, but a great one nonetheless! The session features Miles working with trio backing from Red Garland on piano, Oscar Pettford on bass, and Philly Joe Jones on drums – ... LP, Vinyl record album
Battle Stations
Prestige, 1963. Very Good+
Griff and Lock are playing head to head here – right in their classic "tuff tenors" mode, although not recorded Live at Mintons! Rhythm is by Norman Simmons, Vic Sproles, and Ben Riley – and the album's actually a bit gutsier and more freewheeling than some of their earlier ... LP, Vinyl record album
Stardust
Prestige, 1958. Very Good
A mellow soulful classic by John Coltrane – and one of his best-remembered early albums for Prestige! The session has all the gentle glow that you might guess from the title – a laidback, open-ended approach that has Coltrane blowing long solos over rhythms from the trio of Red Garland ... LP, Vinyl record album
 



⇑ Top