CD, LP, Vinyl record album cover art
View larger image       Image note

Song Bird (plus bonus track)

CD (Item 528455) Columbia/Big Break (UK), 1977 — Condition: New Copy
Out Of Stock

CD


5.00 11

A pretty sweet late 70s set from Deniece Williams – produced by Maurice White of Earth Wind & Fire – and it sounds like it! The set ranges from catchy, crossover ready funky soul sweetened ever more by Deniece's amazing voice, to more stripped down and intimate numbers. There's a couple of stylistic detours, one bright eyed gospel soul tune and a more grandly furnished ballad or two – but for the most part it's a wonderfully produced late 70s funky soul set that takes flight even higher thanks to Deniece's incredible range! Titles include "Time", "We Have Love For You", "Season", "Be Good To Me", "The Paper", "Boy I Left Behind", "Baby, Baby My Love's All For You" and "God Is Amazing". This CD edition includes a bonus track: the promo single version of ""Baby, Baby My Love's All For You".  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

As a rule, Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested in


CD, LP, Vinyl record album cover art
Columbia/Big Break (UK), 1979. New Copy
A seminal set in the career of Deniece Williams – an album that really helped her find the voice she'd use more strongly in the 80s, but one that still holds onto all the best strongly soulful styles of her earlier work! There's a catchy bounce here that's quite compelling – but the ... CD
CD, LP, Vinyl record album cover art
Hot Shot/CBS (UK), 1983. New Copy
A nice little early 80s effort from Forrest – a Texas-raised, LA-based singer with a great voice that's genuinely soulful, and charming enough to have been big crossover success – but he didn't get over in a big way in the US at the time! The songs are chart ready and he's got a very ... CD
CD, LP, Vinyl record album cover art
Decca/RPM (UK), Mid 60s. New Copy
Great work from soul singer Ronnie Jones – an artist who was born in the US, but cut all of this work in the swinging London scene of the 60s – where he was obviously a very big addition to the mod scene! Ronnie's got a voice that's capable of a great range when needed, but which can ... CD
CD, LP, Vinyl record album cover art
Epic/Big Break (UK), 1976. New Copy
A killer album of crossover soul from the mid 70s – one that dropped like a bomb when it hit, and gave this UK group a number of big hits in America! Keyboardist Rod Temperton wrote all the tracks on the album – and he's got keen talent for both funky numbers and ballads. If soul ... CD
CD, LP, Vinyl record album cover art
Epic/Shout (UK), 1976/1977. New Copy
The post-Stax, Epic southern soul of the Soul Children – 1976's Finders Keepers and 1977's Where Is Your Woman Tonight back-to-back! Finders Keepers is a strong little album by the group – recorded with a very different sound than the Stax work – but one that's still totally ... CD
CD, LP, Vinyl record album cover art
Cat/Big Break (UK), 1979. New Copy
An underground gem from Gwen McCrae – and the record that first set the tone for her dancefloor classics for Atlantic in the 80s! The album has Gwen shaking off some of the southern soul of her roots – stretching the genre out to hit notes that are much more in tune with modern soul of ... CD
CD, LP, Vinyl record album cover art
Gold Mind/Big Break (UK), 1979. New Copy
Rochelle and the girls are in full force on this late 70s Salsoul groover – with production by Norman Harris and Tom Moulton! The opening trio of cuts have the continuously flowing vibe of an extended suite – and it's a really exhilarating 16 minutes of dancefloor soul – with ... CD
CD, LP, Vinyl record album cover art
Motown/Big Break (UK), 1975. New Copy
One of our favorite albums by The Originals – and one of their most coherent albums on Motown! The record was produced by Lamont Dozier, who also wrote all the songs on the album for the group – and it's kind of a mix of Dozier's strident 70s update of the 60s Motown groove (which he'd ... CD
CD, LP, Vinyl record album cover art
Philadelphia International/Big Break (UK), 1974. New Copy
Great work by Bunny Sigler – and a perfect bridge between his earlier Philly soul from the late 60s, and his later disco from the end of the 70s! Bunny's in perfect form vocally – and the record is a super-strong batch of tracks that deserves to be well up there in the Gamble/Huff ... CD
CD, LP, Vinyl record album cover art
Charly (UK), Late 60s. New Copy
The story of one of the most legendary soul clubs in the UK – home to the great wave of Northern Soul enthusiasm that burst big in the 60s – plus a fair bit of hanky panky as well! This collection shows a decidedly raw side of the club's roots – American soul from the 60s, plus a ... CD
CD, LP, Vinyl record album cover art
Hi Records/Ultra Vybe (Japan), 1974. New Copy
The great Syl Johnson – doing his thing for Hi Records on a record that's more shiny diamond than it is rough – his second album for the label and a truly underappreciated gem from the Chi soul great! Diamond In The Rough is a much sweeter set of tunes than Syl's Chicago work on ... CD
CD, LP, Vinyl record album cover art
Polydor/Jazzclub (Germany), 1970s. New Copy
A cool collection of work from one of our favorite artists ever – literally one of the guys whose music was so great, it inspired us to start Dusty Groove! The package brings together a really hip assortment of Roy Ayers' best work for Polydor in the 70s – really incredible tracks that ... CD
 



⇑ Top