Great sounds from the Carla Bley band of the 80s – and a record that still has all the modern elements of Bley's initial years in jazz, but also brings in some warmer elements too! If anything, these years unlocked a playfulness that we might not have expected from Carla years before – and also help focus on a soulful style that really comes through with the larger lineup here – one that's filled with modern players, but who seem to work together almost as a commentary on more mainstream modes of the time – familiar, yet still slightly offbeat at points too. The lineup features Michael Mantler on trumpet, Steve Slagle on alto and soprano sax, Tony Dagradi on tenor, Gary Valente on trombone, Vincent Chancey on French horn, Arturo O'Farrill on piano, Steve Swallow on bass, and Bley on organ – and titles include "Blunt Object", "Still In The Room", "Song Sung Long", "Real Life Hits", and "Time & Us". © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.