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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Ray Charles' 3rd foray into straight jazz material – and like the others in this series, an all-instrumental album that focuses on the talents of Charles' group at the time! The tunes are a well-chosen batch of numbers that get past the standard bluesy Ray Charles mode – and take off ... LP, Vinyl record album
The title says it all – as the set features 9 of Ray's greatest cuts for Atlantic, a mixture of early soul and harder R&B numbers, wrapped up in a very classic cover! Titles include "Heartbreaker", "Tell Me How Do You Feel", "What'd I Say", "Talkin Bout ... LP, Vinyl record album
A wonderful chapter in the career of Ray Charles – and a key album in helping raise his respect level a notch or two in the early 60s! We might argue with the mathematics in the title – or at least joke that Ray was using equations as titles years before Anthony Braxton – but you ... LP, Vinyl record album
An excellent early album form Johnny Nash – one that's quite different than his later hits, and which has Johnny singing in a jazzy sort of mode that reminds us a lot of Jesse Belvin! Like Belvin, Johnny's got a warmly sweet voice that's lighter than Billy Eckstine, Joe Williams, or other ... LP, Vinyl record album
Fantastic mid 70s sounds from The Masqueraders! Everybody Wanna Live On may very well be the best album ever by this sweet southern vocal group – produced and arranged by Isaac Hayes, who'd always had a big hand in the group's sound. The record's got a style that reminds us of mid 70s ... LP, Vinyl record album
Sure, the group might have been a throwaway pop disco combo – but they sure left us with some nice moments! If you take them at face value, you'd put them at the bottom of a long list of 70s disco artists that were here today, gone tomorrow. But if you listen to some of their classic ... LP, Vinyl record album
A wonderful duet set from Ike Hayes and Dionne Warwick – one that draws on the classiest side of the Hayes spectrum, and uses his groove to help Dionne find some great new energy! Even in performance, the music has that great rich quality that Isaac always brought to his solo recordings in ... LP, Vinyl record album