This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
An amazing second CTI set from Freddie Hubbard – one that takes off nicely from Red Clay territory, and starts to hit an even funkier mode! The tracks here are all relatively long, with a huge amount of solo space for Freddie on trumpet, Joe Henderson on tenor, George Benson on guitar, and ... CD
An album with a classic modernist cover image – and one that's also got the same sort of sound to match – brilliant early work from trumpeter Freddie Hubbard, who's really coming into his own as a leader with this date! Freddie's really finding a voice here – a sharper edge than ... CD
Amazing work from Freddie Hubbard – one of his best albums ever! The title cut's a classic, but all cuts on the album are great – and really set a whole new standard for soul jazz in the 70s! Unlike the freer runs of Miles Davis, Freddie takes things into territory here that's open, ... CD
Seminal work from Freddie Hubbard – an early hardbop session that features some great work by Tina Brooks on tenor, piano by McCoy Tyner, and rhythm from the team of Sam Jones on bass Clifford Jarvis on drums! And although Freddie's great at this early point in his career – playing ... CD
A very interesting live set from 1969, and one that captures Stan Getz hanging in the balance between a number of different eras! He's playing here in a vein that's very similar to his work on the classic Sweet Rain album – with wonderfully rich emotional solos, filled with pain and longing ... CD
One of the first albums to ever issue recordings made at the Newport Jazz Festival – quite a big hit, and the beginning of a real trend in jazz! The set's also some great work by Duke – free to perform in a setting that's not bound by some of the time restrictions of earlier years, ... CD
The extremely successful union of two of Atlantic's biggest funky jazz stars, caught live in Switzerland, with the amazing Benny Bailey sitting in on trumpet. The tracks are long and funky, and are virtually a blueprint for pop soul jazz playing of the time – mixing slinky rhythms with some ... CD
A crackling date from Jackie McLean – a set that's much more hardbop than some of his other Blue Note work – filled with fire, far from the 50s – and really pointing the way towards his new directions to come! There's a hint of modernism in the mix, mostly on the tone from McLean' ... CD
A strong collection of sides that Miles recorded for Columbia during the late 50s – most featuring a group that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, caught live at the Newport Jazz fest in 1958, playing the tunes "Ah-leu-cha", " ... CD