This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Dizzy's Big 4 here are a quartet of players that includes Ray Brown on bass, Joe Pass on guitar, and Mickey Roker on drums – all of whom work with Dizzy in a lightly skipping groove that's a nice contrast to some of his other 70s work! The style certainly has some of the spacious qualities ... CD
Dizzy's Big 4 here are a quartet of players that includes Ray Brown on bass, Joe Pass on guitar, and Mickey Roker on drums – all of whom work with Dizzy in a lightly skipping groove that's a nice contrast to some of his other 70s work! The style certainly has some of the spacious qualities ... CD
A bebop classic from Dizzy Gillespie – a full album comprised of some famous 78s recorded for the Savoy label at the start of the 50s – the kind of hard-grooving material that made Diz a fan favorite right from the start! There's some nice use of vocals in the mix – not just from ... CD
Notable sidemen include James Moody tenor saxophone, Thelonious Monk on piano, Milt Jackson on vibraphone, Ray Brown on bass, and Kenny Clarke on drums. CD
An excellent live set – featuring great work by some of Dizzy's best sidemen of the late 50's! The ensemble is razor sharp, in that hip post-bop way that Dizzy was developing in the 50s, before moving into his Latin groove years of the early 60s. Benny Golson, Billy Mitchell, and Wynton ... CD
A portrait of Duke, done by Dizzy – and one that's got a whole different feel than you might think! Gillespie's working here with arrangements by a young Clare Fischer – who takes Ellington's themes and recasts them with an even deeper sense of color and tone – one that pushes ... CD
A portrait of Duke, done by Dizzy – and one that's got a whole different feel than you might think! Gillespie's working here with arrangements by a young Clare Fischer – who takes Ellington's themes and recasts them with an even deeper sense of color and tone – one that pushes ... CD
Notable sidemen include Benny Carter, Coleman Hawkins, Ben Webster, Milt Jackson on vibes, John Lewis, Milt Hinton, Ray Brown, and Kenny Clarke. 43 tracks total. CD
Notable sidemen include Benny Carter, Coleman Hawkins, Ben Webster, Milt Jackson on vibes, John Lewis, Milt Hinton, Ray Brown, and Kenny Clarke. 43 tracks total. CD
A late performance from Dizzy Gillespie, but a great one too – and just the kind of record that shows he was always a constantly creative player! At a point when many others would have been content to just lay back and rehash the same old lines, Dizzy clocked out a masterpiece like this ... CD