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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A pair of Oscar Peterson sessions for MPS – volumes 3 and 5 of the For My Friends series! First up is volume 5, Mellow Mood. The great jazz pianist Oscar Peterson shined so brightly in the late 60s era, found such a loose, beautiful outlet for his more relaxed, but still quite driving late ... LP, Vinyl record album
A collection of mid-60s sessions – with Ray Brown on bass and Ed Thigpen on drums from 1965 recorded live at the Tivoli Gardens in Copenhagen, and studio sessions with Ray Brown on bass and Louis Hayes on drums from 1966 in Chicago. LP, Vinyl record album
One of Oscar Peterson's few albums with a larger group – featuring some great arrangements from Russ Garcia! Titles include "Blues For Big Scotia", "Con Alma", "Cubano Chant", "OP", and "Little Pea's Blues". LP, Vinyl record album
Great late 60s work from Oscar Peterson – a player who's definitely Travelin On here, thanks to a great approach to production, and a trio that features Sam Jones on bass and Bob Durham on drums! These MPS sessions are essentially identifiable for the relaxed, soulful warmth that came so ... LP, Vinyl record album
An overlooked 60s gem from Oscar Peterson – one of his great sides for Limelight Records, and possibly the most soulful of the bunch! The group's a trio – with either Sam Jones or Ray Brown on bass, and Louis Hayes on drums – and they've got a really great feel, one that's a bit ... LP, Vinyl record album
Pure genius from Oscar Peterson – one of his finest moments ever! The record is very different than most of Oscar's over-recorded trio format ones – and features Claus Ogerman crafting some impeccable backings of lofty strings and compressed horns, creating a pillow of air that takes ... LP, Vinyl record album
Hard-stepping work by Oscar Peterson – a record that's got a bit more of a forceful groove than some of his others from the time, thanks in part to the rhythm section of George Mraz on bass and Ray Price on drums! Peterson's really romping around the keys on some of the tunes – hitting ... LP, Vinyl record album
An obscure jazzy soundtrack by Oscar Peterson, and one of his nicest albums from the late 70s! The record moves past the usual Peterson trio format – and includes extra horn players like Benny Carter, Zoot Sims, and Clark Terry, as well as the vibes of Milt Jackson. All this makes for a ... LP, Vinyl record album
Three slices of rare work by Duke Ellington – all recorded previously as semi-private recordings, and issued here in a short-lived 70s set! As you'd guess by the title, the tracks are all in "suite" form – that broader compositional style that dominated Ellington's later work ... LP, Vinyl record album