This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A really soaring set from trumpeter Wallace Roney – as tight an album as he ever cut in his early days, working here with a group that includes Mulgrew Miller, Tony Williams, Gary Thomas, and Charnett Moffett. The tracks are mostly longish – with Roney blowing in that proud, full mode ... CD
Proof that the Hammond was still going strong in some parts of the American jazz scene – even at a time when few bigger labels were handling the instrument, and almost ever with as much soul as this! The date's a great early 90s New Jersey set from Muse – produced by drummer Cecil ... CD
One of the smoother sets you're likely to hear on Muse Records at this time – one of bassist Lonnie Plaxico's higher concept records, and an album that mixes together equal parts jazz and contemporary soul! Lonnie's going for a groove that's something of an update of the jazzy soul, or ... CD
A really great take on the classic Herbie Hancock sound of the Blue Note years – led by Japanese drummer George Kawaguchi, but featuring some great work by Americans Donald Harrison on alto and tenor sax, Terence Blanchard on trumpet, and Cyrus Chestnut on piano. The tracks are short and ... CD
One of the few recordings available from the classic period of Chris McGregor's famous Brotherhood Of Breath ensemble – the African-tinged jazz combo that grew out of the wreckage of the ex-patriation of South Africa's Blue Notes ensemble as it mixed with members of the London scene in the ... CD
Pat Martino in one of his greatest settings – live, in front of the kind of an audience where he could really open up! The set's a great marker of the growth that Pat experienced as the 70s approached – taking all the lessons he'd learned from his years gigging it up in the soul jazz ... CD
Soulful fusion work from bassist Lonnie Plaxico – but still with more than enough sharp edges to please our ears! In a way, the record's a nice merging of two generations of work on Muse Records – the older soul jazz and fusion the label forced back in the 70s, and some of the smoother ... CD