CD, LP, Vinyl record album cover art
Enlarge       Note

Brazilian Romance

CD (Item 522451) Columbia, 1987 — Condition: Used
$5.99 ...

CD

(€5.12 || £4.61 || ¥662) (approx.)

One of the last great records ever made by Sarah Vaughan – a really solid session of Brazilian tunes, one that's produced by Sergio Mendes, arranged by Dori Caymmi, and which features guest vocals by Milton Nascimento! The general approach is west coast mellow – as the group features Alphonson Johnson, George Duke, Hubert Laws, Tom Scott, and Ernie Watts – and most of the tunes are English translations of older Brazilian tracks from the 60s and 70s, done by Sarah in an easy, jazzy tone. Titles include "Love & Passion", "Your Smile", "Obsession", "Make This City Ours Tonight", "Nothing Will Be As It Was", and "Photograph".  © 1996-2017, Dusty Groove, Inc.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Mercury/Universal (France), 1958. Used Gatefold
A really rich album by Sarah Vaughan – recorded in Paris in 1958, with orchestrations by Quincy Jones – and large group backing that includes some great tenor work by Zoot Sims! The session's one of Vaughan's most cohesive albums of the period, and although it's got "violins" ... CD
Roulette, 1962. Used
Sarah Vaughan gets some great backings here from Quincy Jones – who brings a nice sort of punch to the record, and makes it one of her grooviest from the early 60s! The style's still somewhat traditional – not as much in moddish Jones modes from a few years later – but there's ... CD
Live At Rosy's
Resonance, 1978. Used 2 CDs
A stunning live recording from Sarah Vaughan – recorded in the late 70s, when she was at a whole new height in her talents – and at a level that's far more dynamic and striking than some of her other records from the time! The double-length set presents the first-ever commercial ... CD
Mercury/Verve, 1964. Used
Sarah Vaughan and Henry Mancini – a surprising combination, and one that's served up in an equally surprising style! The set was cut at the height of Mancini's 60s popularity, but the overall feel is quite different than his groovy soundtracks – and much more in the mature, boozy style ... CD
EmArcy, 1950s. Used
One of the fuller-sounding albums recorded by Sarah Vaughan for Emarcy in the 50s – a set of George Gershwin numbers, mostly set to large studio backings directed by Hal Mooney! The lush approach is a nice one for Vaughan, and an early hint of her talents in such a setting – one that ... CD
Mercury, Late 50s. Used 6CD
A beautiful collection of work from years when Sarah Vaughan was really taking off and perfecting her style – hitting a new level of sophistication that was years ahead of most of her contemporaries! The package brings together issued and rare recordings from Vaughan's Mercury live sessions ... CD
EmArcy, 1950s. Used
One of the fuller-sounding albums recorded by Sarah Vaughan for Emarcy in the 50s – a set of George Gershwin numbers, mostly set to large studio backings directed by Hal Mooney! The lush approach is a nice one for Vaughan, and an early hint of her talents in such a setting – one that ... CD
Mercury, 1958. Used
One of our favorite albums ever by Sarah Vaughan – and a really jazz-based session that's totally hip! Sarah's working here live at the legendary London House nightclub in Chicago – singing with a small combo that includes Ronnell Bright on piano, Richard Davis on bass, and Roy Haynes ... CD
Monterey Jazz Festival/Concord, 1971. Used
A warm, wonderful set by Sarah Vaughan – and a later one, closing the Monterey Jazz Festival in 1971 – released for the first time ever! Sarah is backed for most of the set by the trio of Billy Mays on piano, Bob Magnusson on bass and Jimmy Cobb on drums – with Sarah managing to ... CD
No Count Sarah
Mercury, 1958. Used
The title's a bit of a joke – because the record features a batch sidemen from the Count Basie band – Thad Jones, Joe Newman, Freddy Green, Billy Mitchell, Frank Foster, and others – all working with Sarah, but the Count's name is missing, due to contractual obligations! Despite ... CD
EmArcy/Polygram, 1954. Used
A jazz vocal masterpiece from Sarah Vaughn – one of her greatest albums ever, and a record that raised the bar for countless vocal sessions in years to come! Sarah's working here in an intimate group arranged by Ernie Wilkins, and featuring some sublime solo work from Clifford Brown, Paul ... CD
Benny Carter Sessions
Roulette, 1963. Used
... CD
 



⇑ Top