This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Great later work from Sonny Criss – very much in the format of his late 60s work for Prestige, but with an approach that's perhaps a bit more open-ended overall! The vibe here is laidback and soulful – Sonny blowing alto sax in that wonderful, all-his-own sort of tone – a sound ... CD
We never tire of the saxophone work of Sonny Criss – and this mid 70s gem is a perfect example of his brilliance! Sonny's sound on alto here is completely his own – raspily, soulful style that's really unique – and which draws strongly from Criss' rich life experience, including ... CD
We never tire of the saxophone work of Sonny Criss – and this mid 70s gem is a perfect example of his brilliance! Sonny's sound on alto here is completely his own – raspily, soulful style that's really unique – and which draws strongly from Criss' rich life experience, including ... CD
Great later work from Sonny Criss – very much in the format of his late 60s work for Prestige, but with an approach that's perhaps a bit more open-ended overall! The vibe here is laidback and soulful – Sonny blowing alto sax in that wonderful, all-his-own sort of tone – a sound ... CD
Fantastic work from one of the most overlooked alto talents of all-time! This beautiful CD features tracks from Sonny's 3 rare albums on Imperial – Jazz USA, Go Man, and Plays Cole Porter. The records were all recorded in 1956 – and they feature some of the strongest bop playing to ... CD
Some of the rarest work ever by Sonny Criss – and a key link between his LA bop sides of the mid 50s, and his Prestige comeback sides of the late 60s! The CD features tracks from a rare album that Criss cut in Paris during the early 60s, while he was living in the city and working with the ... CD
A mighty big party from tenor giant Arnett Cobb – a player who always blew strongly in other settings, but really hit his height on these albums for Prestige! The record is a perfect mix of Cobb's bluesy roots and a more sophisticated modern jazz setting – with support from a crack ... CD
A monster! This is a stellar session that has Booker Ervin's tenor fronting a tight group led by drummer Roy Haynes – all with an amazing sense of rhythm that's made the album a standout for years! Ervin is playing in his best modernist vein, and the rhythm section features the excellent ... CD
A very cool date from Duke Ellington – one that's based strongly around the talents of tenorist Paul Gonsalves – always a key member of the Ellington ensemble, and quite a leader on his own in the 60s! The lineup is a familiar version of the Ellington orchestra – but the setting's ... CD
A wonderful small combo session from tenorist Benny Golson – one of a few key albums like this from the early years! Although Golson is perhaps best known as a lively arranger in the modern idiom, he's also a kick-ass tenor player when he wants to be – and on this classic, he ... CD
A wonderful reunion of the team of Frank Foster and Frank Wess – caught here in an easy-going and laidback style that's miles away from their work with Count Basie! The youthful rhythm section of Kenny Barron, Rufus Reid, and Marvin Smitty Smith really adds a lot to the set – giving ... CD
A brilliant title for this brilliant album from Thelonious Monk – a set that really has him coming back strongly in the second half of the 50s – with a new talent for arrangements that really goes past his previous work! Monk's piano and compositions are every bit as great as before ... CD