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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Phil Woods really outdoes himself here – offering the world a whole new side of his talents, and stepping forth at the head of a larger ensemble than usual! The album features Woods' core quartet augmented by larger strings and horns – all in shadings and tones that are incredibly ... LP, Vinyl record album
Pepper Adams never fails to blow us away in a small group setting – and here, on a killer quartet date from the early 80s, he really wins us over all over again! The album's one of those great ones from Adams – in which he's really let loose to open up and blow some extended, ... LP, Vinyl record album
Excellent meeting between 2 mighty talents who rarely recorded together! Oliver Nelson did the arrangements and leads a big band, but the real focus is on Jimmy and Wes' solos, which are given a lot of room to roam in long tracks like "James & Wes", "Night Train", and " ... LP, Vinyl record album
Dee Dee Bridgewater's brothers lay down a lively set of long tracks in this Japanese issued LP with Stanley Cowell on piano, Reggie Workman on bass, and Michael Carvin on drums. The playing is free, swinging, and spiritual, with the kind of a vibe that was rarely captured by these players in their ... LP, Vinyl record album
Tremendous work by Lee Morgan – easily one of his greatest albums, and a soaring session of modal energy that easily rivals the best work of the Impulse era! The album's got a slightly different feel than usual for Blue Note – a sense of freedom, joy, and soaring energy that's totally ... LP, Vinyl record album