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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
(Early 70s issue, with obi and insert. Cover has a faint stain and small peeled spot from sticker removal and light aging inside the gatefold.)LP, Vinyl record album
A hip album from Sarah Vaughan – one recorded with great jazz backings from Ernie Wilkins, and featuring a young Cannonball Adderley as the main soloist! The addition of Adderley's alto definitely brings a swinging sound to the set – a sense of soul that's even deeper than usual for ... LP, Vinyl record album
A pretty obscure Sarah Vaughn album – and a nice one! The album's got Sarah singing with arrangements by Hal Mooney, who'd done work for her before in a more standard way, and who here is opening up a bit, at times almost hitting a groovy late 60s mode. Players in the group include Bob ... LP, Vinyl record album
Sarah Vaughan takes on the work of Duke Ellington – almost presented here in a style that's similar to some of the Songbook albums on Verve from the 50s! Billy Byers handles most of the arrangements here – especially on the larger group numbers – but some tracks are also in a ... LP, Vinyl record album
One of a number of excellent albums of Brazilian jazz cut by Sarah Vaughan – a surprisingly great move for the singer, whose style had begun to wear thin by the mid 70s. The record's got a pretty faithful sound, and the musicians on the set include Jobim on piano, plus Mauricio Einhorn, ... LP, Vinyl record album
One of Sarah Vaughan's first albums of Latin-tinged tracks – showing the roots of her interest in Brazilian music that would develop even more fully into the 70s. The record features a large group arranged and conducted by Frank Foster – with a host of jazz soloists, plus Latin ... LP, Vinyl record album
Sarah Vaughn hit a very groovy new style on her handful of records for the Mainstream label in the early 70s – a new approach that offered her amazing voice a way to stretch out with some of the new sophistication of the time! The arrangements are still jazz, but they've taken a direction ... LP, Vinyl record album
One of Sarah's few albums for Columbia – and quite possibly the best, thanks to some great small group backing, heard on 8 of the album's 12 tunes! The group's a really great one – with Miles Davis on trumpet, Benny Green on trombone, Buddy Johnson on tenor, Tony Scott on clarinet, ... LP, Vinyl record album
A really amazing set of recordings – vocal sessions done by Fred Astaire in the later season of his career – recorded in the studio with intimate backing by a Verve group that includes Oscar Peterson, Barney Kessel, Charlie Shavers, and Flip Phillips! The material features lovely new ... LP, Vinyl record album
(Original stereo pressing, still sealed, with a small cutout hole and a large tear half way across the bottom. Cover is lightly bent at the bottom edge.)LP, Vinyl record album