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They are updated every day based on currency rates quoted to us by our bank — but understand that the final rate charged to you by your bank may differ.
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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A fantastic rare album cut by Stan Getz in Europe! The session features Getz as the main soloist with the Clarke-Boland Big Band, and the overall sound is an incredible chapter in both the career of Getz and the CBBB. Given that most of the CBBB's soloists had a sharp angular sound, Getz's softer ... CD
Beautiful late 50s work from Stitt – filled with subtle complex solos, and a rich confident tone that was missing from earlier records! As with some of his other Verve sessions from the time, the track list is mostly standards – but unlike some Verve sessions, Stitt never gets lost in ... CD
An incredible document of a key genre in 50s jazz on record – the jam session tradition, recorded beautifully for Verve records by the legendary Norman Granz! The idea of a jam session was nothing new at the time, of course, but it was mostly a live phenomenon – known to players from ... CD
Kind of a loosely thrown together session that has Carter at the core, Harris joining in on a number of numbers, and Gillespie taking up his horn for the last 2. The record's got a good relaxed Verve feel – and although the style is more jam session in operation, the tracks are short and ... CD
No hokey organ grinder here – no monkey on a leash, begging for change on a street corner – just a smoking little trio session that stands as one of the best records that Jimmy Smith ever recorded for Verve! The album's got a groove that's similar to Jimmy's early years at Blue Note ... CD
Long, lean, and later work by Coleman Hawkins – recorded in a beautifully stripped-down and free setting at the Village Gate! The tracks are all pushing the 10 minute mark – and feature Hawk soloing in that open, exploratory way he was using during the time – a mix of older ... CD
A beautiful set of tracks that features Art Farmer soloing on flugelhorn over larger arrangements by Oliver Nelson. Farmer's work on the instrument was just taking shape at this point in his career, and the soulful backings of Nelson are a really great match for his lyrical tone, and widening ... CD
A set that brings together half small group sessions, and half large group tracks – with Bird fronting orchestras arranged by Joe Lipman and Gil Evans. The small group tracks are both quartet ones – with either Hank Jones or Al Haig on piano – and titles include master takes and ... CD