This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Some of the funkiest work on guitar ever recorded – and a great overview of the legendary sessions that Grant Green recorded for Blue Note in the late 60s and early 70s! Years back, the label used to disown these sessions – claiming they were more commercial and lower-quality than ... CD
Essential work from Eddie Henderson – one of the trumpeter's hippest albums of the 70s, and a key link between his early righteous days and his later smoother sound! The set's a near-perfect blend of all elements involved – tight funky rhythms, spacey soulful instrumentation, and ... CD
A great little solo set from Gene Harris – and a perfect example of that magical time after he'd left the Three Sounds, but hadn't yet hit the more standard styles of later years – a period when Harris was really experimenting with a wide range of keyboards and sounds! The set has ... CD
Great stuff, and one of Jackie McLean's best for Blue Note from the "new thing" period! The album features Jackie working out a wealth of new ideas, in a quartet that includes Larry Willis on piano, Bob Cranshaw on bass, and Clifford Jarvis on drums. Jackie holds down the frontline ... CD
Excellent funky work from Lou Donaldson – and a groundbreaking record that was the first to feature him playing on Blue Note with drummer Idris Muhammad – who is listed on the session under his birth name, Leo Morris! Muhammad gives the album that crackling funky bottom sound that ... CD
Early genius from Kenny Burrell – a set that features the guitarist sounding beautiful in a variety of settings, all of them great! The format really mixes things up nicely – almost showing a more diverse Kenny than in later years – as one track is solo, and the others feature ... CD
One of the greatest albums ever by pianist Kenny Drew – a record that's as noteworthy for the contributions of the sidemen as it is for the efforts of the leader! Drew's a player who often worked mostly in trio formats – but here, he's hitting hard with a righteous Blue Note power ... CD
A great mid 50s recordings by one of the greatest pairings in popular jazz of the time – the twin-trombone lead work of JJ Johnson and Kai Winding, both players who'd come from differing backgrounds, but who created a wonderful new sound together! The interplay between the trombones on ... CD
A hip live date from Kenny Burrell – recorded with a trio that includes Richard Davis on bass and Roy Haynes on drums – both of whom help Kenny find a groove that's a bit lighter and more fluid than usual! The rhythms here are quite gentle, almost spare at times – and always ... CD
Pianist Uri Caine in a set of Brazilian jazz tunes – playing acoustic piano and Teclado Fender Rhodes – recorded in Brazil, with backing on guitar, bass, and lots of percussion. A number of the tracks have vocals in Portuguese – and the style of the music mixes the smoother sound ... CD