CD, LP, Vinyl record album cover art
Enlarge       Note

Goodbye

LP (Item 52026) Prestige, 1975 — Condition: Used
Out Of Stock

LP, Vinyl record album


Gene Ammons' last session – not as funky as earlier work for Prestige, but pretty nice at that! The group's got Gary Bartz on alto, Kenny Drew on piano, Sam Jones on bass, Louis Hayes on drums, and Nat Adderley on cornet – and they groove together well, in the kind of soul jazz/modal mode that you'd find on some of the better mid 70s sides for the Muse label. The album includes a nice remake of Duke Pearson's "Jeanine", plus the tracks "Out In The Sticks", "Alone Again Naturally", "It Don't Mean A Thing", and "Geru's Blues".  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Prestige, 1973. Sealed
Gene Ammons has some pretty hip friends here – a roster of talent that includes guest appearances by hornmen Cannonball Adderley, Dexter Gordon, and Nat Adderley on one long jam number – plus Hampton Hawes on electric piano on the entire set! The work's done in a laidback, long-blowing ... LP, Vinyl record album
Brasswind
Prestige, 1973. Sealed
Gene Ammons gets the Cannonball Adderley treatment – as he blows funky solos over an album arranged and conducted by David Axelrod! Brasswind has a larger, fuller funky sound than some of his earlier work for Prestige – and it works very well! The overall sound's a bit smoother, but ... LP, Vinyl record album
Prestige, 1960s. Very Good
While it's tough to think of a jazz player having "hits" – given the low sales of jazz albums, even in the 60s – it's still the case that Ammons' sound was so strong, and so soulful, he had plenty of fans in the crossover market for some of his bigger recordings. The album ... LP, Vinyl record album
Big Sound
Prestige, Mid 50s. Near Mint-
Classic Jug, playing in a laidback open-ended blowing session, with other strong Prestige players – like Coltrane, Jerome Richardson, Paul Quinichette, Art Taylor, and Mal Waldron, who always seems to be the driving force between most Prestige sides like this. The album has only 4 tracks, ... LP, Vinyl record album
Soul Is Willing
Prestige, Early 60s. Very Good
One of the strongest albums that Shirley Scott ever cut with Stanley Turrentine – organ and tenor working together perfectly in a mellow soulful groove, sliding easily from track to track in a mode that still satisfies mightily over the years! The group is tight, soulful quartet, featuring ... LP, Vinyl record album
Prestige, 1964. Very Good
Bad Bossa Nova is right – as Gene Ammons really hits a great groove here – one that's not exactly bossa, but which has lots of Latin and tropical touches! The session makes great use of 2 guitars at the same time – using that of Kenny Burrell for soulful rhythm, but also adding ... LP, Vinyl record album
Got My Own
Prestige, 1973. Very Good+
A more laidback set than usual from Ammons' early 70s stretch on Prestige – but a record that nicely gets back to that big-toned tenor sound he used often on ballads from earlier years! The combo mixes both electric piano and organ – the former from Hank Jones, the latter from Ernie ... LP, Vinyl record album
Bucketful Of Soul
Prestige, 1968. Near Mint-
Wow! This is the best ever Trudy Pitts album, and the one in which she and Mr. C really get down to business on tracks like "Bucketful of Soul" and the stellar "Love for Sale" (an early Jazz Juice groover). Wilbert Longmire complements the trio on guitar, and the whole thing ... LP, Vinyl record album
Prestige, 1954. Near Mint-
A nice little 10" LP – featuring Miles leading a great bop group on 2 long blowing tracks "The Man I Love" and "Bemsha Swing", recorded with an all-star group that features Milt Jackson, Thelonious Monk, Percy Heath, and Kenny Clarke. LP, Vinyl record album
Prestige, 1973. Near Mint- 2LP Gatefold
A stunning session, and proof that Dizzy never slept on his playing – even in the 70s! Originally released as 2 separate LPs in France on the America label, the record is a crack small group set recorded in Paris, and featuring very long tracks that let Dizzy really stretch out on his solos. ... LP, Vinyl record album
After Hours (Olio/After Hours)
Prestige, 1957. Very Good+ 2LP Gatefold
A great 70s two-fer that combines two classic Prestige jam session from the late 50's – both of them some of the label's best albums in the format! Players include Kenny Burrell on guitar, Thad Jones on trumpet, Frank Wess on tenor and flute, Teddy Charles on vibes, Mal Waldron on piano, ... LP, Vinyl record album
Soul Grabber
Prestige, 1968. Very Good+
One of our favorite albums ever by Willis Jackson – and in fact one of our favorite soul jazz sides of the 60s! There's a mad groove here that's quite different than any of Jackson's earlier work – freer, looser, and more experimental – handled with a sound that's almost fuller ... LP, Vinyl record album
 



⇑ Top