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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A big US pop hit for Green and the Scritti's – decidedly more mainstream than before, but still with a quirky edge that belies their post-punk roots – especially in the "version" tracks which mix things up with a bit more of a street feel. 12-inch, Vinyl record
A club crossover classic from The Rolling Stones – a track that surprisingly got the group onto the dancefloor in the late 70s, but which still held onto most of their best elements! Although sometimes panned as a cheap disco cash-in effort by some, the tune is actually pretty darn great ... 12-inch, Vinyl record
Incredible work from Tuxedomoon – one of their first, and still one of their best – and proof that in the right corners of the US scene, the best post-punk influences got started at the same time as the UK! The record mixes moody drum machine lines with the crazy vocals of Winston Tong ... 12-inch, Vinyl record