Lou Rawls : Now Is The Time/Close Company (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Now Is The Time/Close Company

CD (Item 519557) Epic/Expansion, 1982 
Out Of Stock

CD

A pair of post Philly International gems from Lou Rawls on Epic -- Now Is The Time from '82 and Close Company from '84 -- in a single set! Now Is The Time is a solid soul effort from Lou, still working wonders here in the early 80s on a record that stands the test of time surprisingly well! The production doesn't overdo it with period production flourishes, with some sweeping arrangements on some numbers and more of an easygoing vibe on others. Titles include "Kiss Me One More Time", "Let Me Show You How", "Ain't That Love Baby", "This Love" and "Back To You". Close Company features a fair bit of production from Dexter Wansel, in a way that continues the groove from a few years before! The sound's got a smooth, sophisticated feel that works great with Lou's maturing vocals -- and the overall feel is right up there with the best classy soul coming out on Epic at the time -- work that's really stood the test of the time because it never gave in too much to commercial trends. Titles include "Close Company", "All Time Lover", "In The Middle Of The Night", "Pretty Eyes", "Forever I Do", and "Ready Or Not". 17 tracks in all on the CD.  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Lou Rawls

Soulin'
Capitol/Elemental (France), 1966. New Copy Gatefold
One of the best albums that Lou Rawls cut with the team of HB Barnum and David Axelrod – that incredible duo who made some of his 60s Capitol albums so great! The style here is wonderful – upbeat grooves from Barnum – who brings more soul into Lou's music than before – ... CD
A&M/Expansion (UK), Late 70s. New Copy
A pair of early albums from soul singer Rockie Robbins – back to back on a single CD! First up is his self-titled record from 1979 – a really nice album of smooth soul tracks – the first set by singer Rockie Robbins, and a masterful effort from the Chicago soul production team of ... CD
Expansion (UK), Early 80s. New Copy
The second chapter in the soul career of the great Rockie Robbins – two albums on a single CD! I Believe In Love is one of the strongest albums by Rockie Robbins – and they're all pretty darn great – thanks to some sweet production and arrangements from the team of Skip ... CD
Turbo/Soul Brother (UK), 1970s. New Copy 2 CDs
An essential collection of work from one of the hippest funk groups of the 70s – the mysterious Wood Brass & Steel, who also participated in the legendary Skullsnaps record! The first part of the set features an unreleased album that the group recorded for the All-Platinum label in 1973 ... CD
Capitol/Expansion (UK), 1981/1982. New Copy
A pair of classic early 80s soul albums from ex-Dramatics singer LJ Reynolds! The self-titled '81 set is killer material in a modern Detroit mode all the way through – with top-shelf production by Reynolds, Don Davis, and Ronnie McNeir/ Ronnie, who'd been lost to the industry for a few ... CD

Barbara Mason

Love's The Thing
Buddah/Soul Brother (UK), 1975. New Copy
A really great step forward for Barbara Mason – a record that's got her working in a more mature mode than before, and a deeper soul style as well! One of the bigger developments of Barbara Mason's career was her participation in the "answer song" cycle that circulated around ... CD
Capitol/Expansion (UK), 1981. New Copy
Two Capitol classics from the great Gene Dunlap – back to back on a single CD! First up is It's Just The Way I Feel – a classic soulful fusion album recorded and released during the crucial years of the "Capitol Rare" sound! Gene Dunlap is a jazz drummer at heart – but ... CD
Epic/Get On Down, 1971. New Copy
A landmark album in a landmark package – a set that takes this gem from Sly & The Family Stone, presses it up on a special hi-fidelity gold CD, then cradles the whole thing in special box with a heavy hardcover book with lots of new notes – and a fabric American flag sewn right onto ... CD
T Neck/Epic, 1975. New Copy
A great mix of heavy funk and sweeter ballads from the Isley Brothers – and a record that's filled with two-part tracks that really let them stretch out and groove! The tunes have a bit more bass and keyboards than before – an approach that's even more electric than Isley funk of a few ... CD
Epic/Cherry Pop (UK), 1987. New Copy
Seminal work from the lovely Basia – and an album that's a wonderful hybrid of jazz, soul, and pop – all put together at a level that really goes beyond most of her contemporaries! There's a vibe here that's almost like Swing Out Sister at their best – catchy, but never cloying ... CD

Don Blackman

Don Blackman
Arista/Expansion (UK), 1982. New Copy
A jazz funk masterpiece, and THE record by the legendary Don Blackman – the only one issued under his own name for many many years, and a famous little set that's been sampled endlessly over the years, and for good reason! The vibe here is one that's barely been matched again – a blend ... CD
Epic/Gold Legion, 1983. New Copy
A solid 80s set from France Joli – recorded after her initial wave of disco fame on the Canadian scene – but still with a nice sort of dancefloor groove, thanks to help from Giorgio Moroder's musical partner Pete Bellotte! The style here is kind of an 80s take on the Moroder groove of ... CD
 



⇑ Top