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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great double-live set – and one that has Lou Reed Doing a surprising amount of Velvet Underground material too – with tracks that include "White Light White Heat", "Some Kinda Love/Sister Ray", "Sweet Jane", "I'm Waiting For My Man", "Kill ... LP, Vinyl record album
The incredible later masterpiece from Lou Reed – still one of the great rock records of the early 80s and a real late peak for Lou! It's an electric guitars and straight forward songcraft focused set, with Lou in an accessible, but still edgy mode. The intense commitment to his vocals are ... LP, Vinyl record album
The "biggest" album of Lou Reed's career – in the grand sense – with epic production and a small army of superstar session players and production by spectacle specialist Bob Ezrin – but that's paired with arguably the darkest, gloomiest songcycle ever composed by Lou ... LP, Vinyl record album