This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A gem of a record – the kind of overlooked 70s session we really treasure! Reed player Frank Strozier was one of the all-time under-discovered greats – and this set reunites him with his old Memphis partner/MJT+3 bandmate, Harold Mabern – a perfect pairing for Strozier's warm and ... LP, Vinyl record album
One of the most ambitious albums we've ever seen from Carlos Franzetti – a set that mixes his own keyboard-driven fusion with some surprising larger arrangements! Carlos starts the set out slow – singing a haunting version of the title track – then really takes off with some ... LP, Vinyl record album
A later album by Paul Humphrey, and with production that's a little bit rawer than some of his other 70's releases. The music's made by just Paul and Tony Drake, and the two of them play drums, bass, and lots of electronic keyboards and Arps – in this kind of scatter-shot approach to jazz ... LP, Vinyl record album
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, ... LP, Vinyl record album
An obscure little funky group from Flint, Michigan, one with a tight ensemble sound that's very much in the Earth Wind & Fire mode – complete with a really great horn section, plenty of bass-heavy grooves a the bottom, and a relatively spiritual feel that comes through strongly on the ... LP, Vinyl record album
Man, that east coast harmony sound couldn't miss in the 70s – as proven by the huge AM radio success of New York City! The band wasn't the greatest harmony group in the world – although they did feature John Brown, who'd cut his teeth in the Five Satins – but when you teamed them ... LP, Vinyl record album
A soaring full length debut from Fred Hughes – a singer who cut some key singles for Brunswick Records in the late 60s, and more than lives up to their strength here on an album! The set's got some very in-the-pocket backings for Fred to work with – arrangements from Sonny Sanders, Tom ... LP, Vinyl record album
Classic work from Fantastic Four – who are really hitting their stride vocally, moving into a whole new sound from their work in the late 60s. The groove is a mix of 70s harmony soul and early Westbound disco – and the longish tracks get quite involved, both vocally and arrangement-wise ... LP, Vinyl record album
Beautifully icy vocals from the amazing Chris Connor – the kind of record that set a new standard for vocal jazz back in the 50s! The session's a small group one – with Chris singing intimately alongside backing from Herbie Mann on flute and tenor, Kai Winding and JJ Johnson on ... LP, Vinyl record album