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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A pivotal album in the career of Billie Holiday – an early 10" album that marks her return to the recording studios after a bit of a hiatus – working here with a well-picked Verve group that includes Flip Phillips on tenor, Charlie Shavers on trumpet, Barney Kessel on guitar, and ... LP, Vinyl record album
The third collection of Billie's Verve studio recordings, produced by Norman Granz. Billie's backing group includes performances by Benny Carter, Harry Edison, Barney Kessel, Jimmy Rowles, Paul Quiichette, and Wynton Kelly, and features the songs "Trav'lin Light", "April In ... LP, Vinyl record album
24 great numbers from Billie's first couple of years recording for Verve, capturing her at her prime with a number of great little groups. Includes "How Deep Is The Ocean (How high Is The Moon)", "He's Funny That Way", "Love For Sale", "You Go To My Head", ... LP, Vinyl record album
A double-length set from Dakota Staton – featuring 2 of her albums for the Groove Merchant label! First up is I Want A Country Man – very hip work from Dakota, and one of her great early 70s albums for the Groove Merchant label! Backings here are by the band of Manny Albam – in ... LP, Vinyl record album