CD, LP, Vinyl record album cover art
View larger image       Image note

Soul Rebels

LP (Item 518748) Trojan, 1970 — Condition: New Copy
(reissue)
$11.99 ...

LP

(€10.61 || £9.15 || ¥1208) (approx.)

A nice collection of early Bob Marley & The Wailers singles – all produced by Lee Perry! The music's a great meeting of two important reggae talents – quite different than both in later years, especially Marley – as the music has a great rawness that would get glossed over in Bob's years with Island, when he would go on to become an international star! The cuts were recorded at Randy's, and titles include "Soul Rebel", "Try Me", "It's Alright", "No Sympathy", "My Cup", "Soul Almighty", "Rebel's Hop", "Corner Stone", "Four Hundred Years", "No Water", "Reaction", and "My Sympathy".  © 1996-2016, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


CD, LP, Vinyl record album cover art
Easy Skanking In Boston 78
Island, 1978. New Copy 2LP Gatefold
A never-issued live performance from Bob Marley – and a much-needed addition to his classic 70s catalog! The set captures Marley in his prime – working before an enthusiastic venue, but with a sound that's as sharp as any of his studio recordings – from the rhythms right on up to ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Israelites (180 gram pressing)
Trojan (UK), 1969. New Copy (reissue)
A landmark album from Desmond Dekker – and a seminal slide of Jamaican music that really broke big on the global scene in the years before reggae! The set's a bit ska, a bit rocksteady, and completely sold all the way through – thanks to near-perfect production from Leslie Kong, who ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Trojan (UK), 1969. New Copy (reissue)
One of the greatest trio albums ever from the Jamaican scene – a classic set that kicked off the sound of reggae for the 70s, while still holding onto the rocksteady sound of the years before! The vocals of the Maytals are tied together tightly, but still have a rough edge that's quite ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Pressure Sounds (UK), 1970s/1980s. New Copy 2LP
Pressure Sounds does it again, with another fine collection of mighty, mighty dub! A much needed Blackbeard retrospective collecting 16 hard to get cuts from British dubmeister Dennis Bovell, rare dubs and instrumentals, plus a couple of outstanding vocal tracks from the man at the epicenter of ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Pressure Sounds (UK), 1970s. New Copy 2LP
An incredible set of low rolling, hypnotic dub genius from true reggae Revolutionaries – a batch of amazing tunes centered around the amazing drums of Sly Dunbar – cut in the mid-to-late 70s height of the Channel One groove! This might be the strongest collection of dubs that Pressure ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Mek It Run
Pressure Sounds (UK), Late 70s/Early 80s. New Copy 2LP
Fresh dubs of rare tracks by Dennis Bovell – all redone recently, but with a vibe that's right up there with the best of classic Kingston! The package has a fascinating origin – in that Bovell had a recent medical ban on playing the bass, so decided to turn the clock back, dig up some ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Pressure Sounds (UK), Late 60s/Early 70s. New Copy 2 LPs
Mindblowing sounds from the great Bunny Lee – and exactly the kind of collection that makes us love the Pressure Sounds label so much! The track selection is wonderful – and most numbers are balanced in a unique space between reggae and rocksteady, and often have some crucial ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Pressure Sounds (UK), 1970s. New Copy 2LP
A wealth of rare tracks from the archives of Jamaican producer Bunny "Striker" Lee – tracks pulled from one-off dubplates mixed direct from the studio, and other unreleased tracks pulled from never-heard master tapes too! The music here definitely lives up to Lee's production ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
On-U Sound (UK), 1986. New Copy (reissue)
The title and cover definitely get the vibe of the record right – as African Head Charge continue to go off the beaten track with their unique blend of sounds! In the generation before downtempo, these guys were pretty darn unique – and key forerunners in blending together rootsy ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Money Maker (with bonus download)
Studio One, 1970. New Copy (reissue)
The album may not have been much of a Money Maker for Studio One Records – given that it's one of the rarest in their catalog – but it stands as a key illustration of the label's genius, and just how far away they were from most of their contemporaries! The set's a bit of a split ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Dub Store (Japan), Mid 60s. New Copy 2LP Gatefold
Fantastic sounds from the rocksteady years in Jamaica – tracks that are a fair bit more rare and obscure than some of the bigger singles that circulated at the time – even though they feature a fair bit of the same artists and musicians! The work here all came from the studios of ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Heavy Metal Dub
Clocktower, 1982. New Copy (reissue)
No heavy metal here – but definitely some classic dub from Scientist – who's much more in love with the sound of an echoey bassline than any sort of freaky fuzz guitar! Tunes are beautifully spare – which allows for lots of spacey interplay between the few instruments used to ... LP, Vinyl record album
 



⇑ Top