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(Probaby an unofficial pressing, with rainbow bracket label, and 63-3402/3 etch.)
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great American-only album from the Rubber Soul generation – the last one made specifically for the US market because of the different release patterns in the US and UK – with a number of their greatest songs of the period! Features a bunch of classics, and it ultimately holds together ... LP, Vinyl record album
We're not ashamed to admit we're big fans of Queen around here, and why shouldn't we be? One of their biggest LPs, this one hardly needs any introduction from us, with the massive hit "Another One Bites The Dust", that appeals to beat diggers and mullet-headed rockers alike! Also ... LP, Vinyl record album
The last of the "revival" King Crimson from the early 80s – featuring the lineup that included Robert Fripp, Adrian Belew, Bill Bruford, and Tony Levin. The style is fairly academic, but Belew's presence still gives the record a bit of heart – something that Fripp had trouble ... LP, Vinyl record album
Very cool original pressing of this rare LP cut by studio legend Hal Blaine. Hal played drums on thousands of records in the 60's and 70's – including a huge amount of some of rock's biggest classics. During the time, he also managed to cut a number of LPs – some like the wild classic ... LP, Vinyl record album
A really great self-titled set from Emitt Rhodes – a compelling California singer who hardly ever gets his due! The music's a wonderful mix of California late 60s singer/songwriter modes and bits of Beatles-esque production – a blend that makes for a fuller feel than usual for a record ... LP, Vinyl record album
Trippy late 60s pop from Peter Sarstedt – almost folk-rock, but with a fuller, more mind-bending style that kind of recalls Donovan, or the host of other less-remembered artists who picked up from Dylan and took things in a headier direction! The production is really wonderful – with ... LP, Vinyl record album
Alongside the Specials, the stars of the Two Tone ska revival scene. How can you go wrong with classics like "On My Rradio", "Time Hard", "Missing Words", "My Collie (Not A Dog)", "Three Minute Hero", "Too Much Pressure", "Murder" ... LP, Vinyl record album
A real oddity from George Harrison – a record of abstract electronics, cut right around the same time as his bigger mainstream solo hits! The record is a highly experimental one – a session that has Harrison working with Bernie Krause, and exploring territory that's much more in the ... LP, Vinyl record album