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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A massive hit for Stanley Clarke – a record that has him reigning in some of his wilder elements a bit, and going for a groove that's right in the pocket! There's a definite soul fusion influence going on here – Clarke trying to hit the same groove as some of his contemporaries, and ... CD
An overlooked gem from reedman Grover Washington – recorded in his later years, but a set that's actually got more of an acoustic style overall – one that goes back to the roots farther than any of Grover's fusion records! Washington's a great straight player in this setting – ... CD
Stanley Clarke may be on a journey to love – but that doesn't mean that the album's to sweet or romantic! Many tracks here still have the harder edge and sharper lines you'd expect from Clarke's key 70s fusion reputation – the kind of rock-influenced styles that crossed over big at the ... CD
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out ... CD
Beautiful fusion from guitarist Steve Khan – one of those great 70s players who could play things tight, yet still keep an edge! The album's got a well-produced groove – the same sort of soulful undercurrent you'd get in other Columbia fusion sets of the period – yet Khan's ... CD
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... CD
There's nothing prehistoric about this set – as saxophonist James Carter's working here in an angular mode that's strikingly modern, despite the "classics" in the title! The tunes are all familiar ones, but they're recast by Carter with a deep tone on tenor, alto, and soprano sax ... CD
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to ... CD
Tremendous American recordings from British tenorist Tubby Hayes – presented here in a CD that features four previously-unreleased titles that include "Soho Soul", "Simple Waltz", "Half A Sawbuck", and "You're My Everything". CD
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... CD