This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A collection of recordings from the 40s, with sidemen that include Juan Tizol and Lawrence Brown on trombone, Jimmy Hamilton on clarinet, Johnny Hodges on alto, Barney Bigard on clarinet and tenor, Ben Webster on tenor, Ray Nance and Wallace Jones on trumpet, with Fred Guy on guitar, Junior Raglin ... LP, Vinyl record album
Duke's Big 4 here are a quartet of jazz legends – Joe Pass, Ray Brown, and Louie Bellson – all working with Duke himself to serve up unique small combo versions of older Ellington full band classics! The mix of piano, guitar, bass, and drums is a bit unusual for Ellington – and ... LP, Vinyl record album
A great high concept composition from Duke Ellington – one that rivals the earlier brilliance of his Liberian Suite! Like that one, vocals are a key part of this long-form work – a special performance done for the Century Of Negro Progress Exposition in Chicago in 1963 – with an ... LP, Vinyl record album
A great collection of Freddie's late 60s recordings for Atlantic – some of the best tracks pulled from the albums Backlash and High Blues Pressure! The groups on the albums are great – slightly larger than usual, but with wonderful players who make the most of the setting, coming ... LP, Vinyl record album
A classic set from reedman Charles Lloyd – a set that really pushes forward all the experiments he'd begun in the Chico Hamilton group – and shows a bold move forward for rhythms in 60s jazz! The tracks are long, and spiral out wonderfully – but in ways that are different than ... LP, Vinyl record album
A massive batch of funky soul jazz – the Second Movement (to the first album Swiss Movement) of the collaboration of Eddie Harris and Les McCann! The vibe here is even freer, and hipper, than on the first set – with a host of long tracks that have Les really working the Fender Rhodes ... LP, Vinyl record album
Very cool sounds from the amazing Eddie Harris – a live set, cut at the popular Newport Jazz Festival – but one that's arguably even freakier and more freewheeling than some of Eddie's studio work for Atlantic! Eddie's horn is really plugged in for the set – a Varitone, which is ... LP, Vinyl record album
Jazz in romantic places, but some pretty groovy ones too – a host of global destinations all referenced in the track selection for the set! Dave Pell's tenor is at the lead on most numbers, but the octet's in fine formation too – arranged by Jack Montrose, Marty Paich, Johnny Mandel, ... LP, Vinyl record album
A soulful late 60s outing for Brother Yusef – one of his first, and one of his best, albums for Atlantic! Despite the misleading title, this isn't really the "complete" Yusef Lateef (it would have to be a 50 LP set for that!) – but the record is a nice slice of Yusef's ... LP, Vinyl record album
One of the best of Les McCann's 70s Atlantic recordings, and one that captures him with a lot of fire and funkiness – and none of the looser modes of other recordings from the time! Les sings on about half the cuts – but the focus is still quite strongly on his funky jazz, which makes ... LP, Vinyl record album