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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A great later swinger from Phil Woods – a tight acoustic session recorded for the Denon label in Japan, and put together with a really classic feel overall! Wood's alto is amazing – sharp and fluid right from the start, and set up with a crack group that includes Tom Harrell on trumpet ... CD
A great Denon date from saxophonist Bob Berg – recorded at a point when he was really coming into his own as a leader, and using some fusion elements a bit more confidently than before! The session balances Bob's work on tenor and soprano with work from Don Grolnick on organ and keyboards, ... CD
Warm and lyrical solo piano work from Tommy Flanagan – a Japanese only session from the mid 70s, and one of the first of a long run of well-produced dates that Flanagan would do for that market! The format's even more intimate than the relaxed setting of some of Tommy's American dates of the ... CD
Beautifully-recorded later work from Sonny Stitt – a record that's got the crispness and poise of his classic work on Roost, with perhaps a bit of the warmer soul he'd picked up in the 70s – yet laid out in a way that's different from some of his American albums too! The set's a ... CD
The Basie Orchestra pays tribute to their departed Count – and the groove here is every bit the sort you'd expect from the ensemble at their height! Frank Foster's in the lead with the group at this point, and he's definitely back in the Basie bag, after stretching out soulfully on his own ... CD
A completely different album than most of Ira Sullivan's other records – warm, soulful, and filled with a sense of spiritual yearning that's really great! The format here has Ira blowing trumpet and flute with a "with strings" group that features 4 violins alongside the rhythm ... CD
Funky pianist Gene Harris had spent most of the 60s playing in a standard trio format with his group The Three Sounds – but by the time of this live set, the group was evolving into a monster jazz funk combo, and Harris was getting beautifully heavy handed in his approach to rhythm. This ... CD
The extremely successful union of two of Atlantic's biggest funky jazz stars, caught live in Switzerland, with the amazing Benny Bailey sitting in on trumpet. The tracks are long and funky, and are virtually a blueprint for pop soul jazz playing of the time – mixing slinky rhythms with some ... CD
Features work with Fletcher Henderson And His Orchestra, the Mound City Blue Blowers, Ben Webster, Thelonious Monk, Sonny Rollins, Benny Carter, Max Roach, and Duke Ellington. CD