This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
(Mid 80s mono French reissue in a barcode cover, with light wear, a thin light stain at the top seam, and spotty blemishes in back.)LP, Vinyl record album
A nicely different album than some of Peggy Lee's other albums for Capitol Records – a set of sophisticated arrangements, handled by Quincy Jones – which really give Lee the kind of setting to remind the world that she can be as compelling of a jazz singer as she can a vocalist on ... LP, Vinyl record album
Peggy's sweet as sugar, but working here with a heck of a lot of spice – thanks to arranger Benny Carter, who brings in a wonderfully jazzy feel to the set! The album's one of Peggy's best from her comeback years at Capitol – and a prime example of the syncopated, slinking mode of ... LP, Vinyl record album
A classic set of tracks from Peggy – featuring the sublime hit "Is That All There Is?", produced by Lieber & Stoller, and arranged and conducted by Randy Newman. Other arrangements are by the likes of Mike Melvoin, Mundell Lowe, George Tipton, and Bobby Bryant – all of ... LP, Vinyl record album
Beautiful 50's material from Jimmy, and some of the best recordings you could ever find by him! The style is classic, with Jimmy's light wispy voice floating over the top of melancholy arrangements of tracks like "Address Unknown", "It's Over", "Am I Wrong", and " ... LP, Vinyl record album
One of the hippest takes ever on the Porgy & Bess score – done in duet format by Ella Fitzgerald and Louis Armstrong, in a fuller spirit than their other albums for Verve! Like many late 50s albums of Gershwin's score, this one was issued in advance of the film with Sidney Poitier – ... LP, Vinyl record album
(70s tan label MCA pressing. Cover has some ring and edge wear, yellowing from age, splitting in the seams, and a small peeled spot in back.)LP, Vinyl record album
A great session that features Jimmy Rushing singing in the rootsy style of his early Kansas City recordings, with backing by a group that includes the legendary Pete Johson on piano, plus Rudy Powell on alto, Emmett Berry on trumpet, Buddy Tate on tenor, and Freddie Greene on guitar. Titles ... LP, Vinyl record album
One of the nice records made by Joe during his funky comeback of the late 60s/early 70s. He's singing here in a setting that's decidedly hipper than on earlier albums – with the early 70s Nat/Cannonball Adderley collective that includes George Duke on piano, Carol Kaye on bass, and ... LP, Vinyl record album