Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Backstreet Brit Funk Vol 1 – The UK's Finest Underground Soul, Jazz Funk, & Disco Compiled By Joey Negro

CD (Item 516282) Z Records (UK), Late 70s/Early 80s — Condition: New Copy
2CD
$16.99 ...

CD

A really great look at an under-discovered scene, at least on our side of the Atlantic – the wealth of club and funk tracks from the UK scene at the end of the 70s and start of the 80s – served up here by the great Joey Negro, who's given us more than a few great grooves of his own over the years! The sounds here are in more obscure territory than the earliest work by Incognito, but come from a similar vein – a real love of the best styles of American soul, funk, and club of the 70s – but served up in modes that are sometimes more underground, given the smaller circulation, and different cultural makeup of the British scene. A few grooves have some great electro touches, others have warmer jazzier instrumentation – and titles include "Summer Grooves" by Mirage, "Keep In Touch" by Freeez, "Trip To Your Mind" by Hudson People, "The Wiggle" by Stikki Stuff, "Zero One" by Surface Noise, "Sore Lip" by Ritual "Express" by 52nd Street, "Parisienne Girl" by Incognito, "Latin Dream" by The Antilles, "Bentley Boogie" by Ed Bentley, "I Wanna Dance" by The Cool Notes, "You Know Too Much" by MBT, "You Don't Care About Our Love (Joey Negro edit)" by China Burton, "No Secret Affair" by Style X, "Never Let You Go" by Savanna, "Orange Groves" by Ranson McKenzie & Friends, and "Better Things To Come (Joey Negro edit)" by Nigel Martinez.  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Z Records (UK), Late 70s/Early 80s. New Copy 2CD
Fantastic grooves from the UK scene – most of them created during the better-known punk and post-punk years of the country – which might be why so many of them have remained so obscure over the decades! Yet taken together, these cuts represent a fantastic legacy in soul – upbeat ... CD
Z Records (UK), Late 70s/Early 80s. New Copy 2CD
A great entry in this really fantastic series – one that's turned us on to more rare club cuts than we can count over the years – and which still stands head and shoulders above most other collections of vintage dancefloor grooves! The tracks here are all hand-picked by Winston – ... CD
How Do You Are (Germany), 2019. New Copy
One of the coolest volumes in this always-great series – and one that's a bit different than the rest, and not just because the music is all in French! Previous editions all focused on older music from the glory days of AOR and smooth soul production – but the tracks here are all ... CD
Blue Note/Jazzman (UK), Late 60s/Early 70s. New Copy 2CD
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As ... CD
Because/Import (Germany), Early 70s. New Copy 3CD
A special 3CD collection – one that brings together the first three volumes of Shaolin Soul – a great series inspired by the inventive approach the Wu-Tang Clan brought to the world of hip hop samples – that great sense of sound that had them going for tunes that had way more to ... CD
Jazzman (UK), Late 60s/1970s/1980s. New Copy
A really tremendous collection of overlooked jazz from the UK scene – most of it recorded in the late 60s and 70s, at a time when the nation was really exploding with new ideas – so much so, the bigger labels weren't able to keep pace with recording during the period! Instead, it was ... CD
Numero, Late 50s/Early 60s. New Copy 3CD
An insane new chapter in the mighty legacy of the Numero Group – not the rare soul, obscure psych, or underground folk the label has covered with other releases – but instead a huge batch of under-discovered gems from the exotica scene of the postwar years – essentially the ... CD
Bear Family (Germany), Late 60s. New Copy
A great collection of 60s Hammond organ groovers – and from sources you might not normally expect! Given the fame of jazz players on the instrument – like Jimmy Smith and Jimmy McGriff – it's easy to forget how many rock and roll groups were also playing the Hammond in the 60s ... CD

Various

Hong Kong Score
Wan Chai (Hong Kong), 1960s/1970s. New Copy
Very cool grooves from the world of Hong Kong cinema – not just familiar styles from kung fu movies, but a nice range of different modes too! The music is often funky, but not always – and some tracks have vocals, while others are completely instrumental – brought forth here in a ... CD
Mr Bongo (UK), Late 60s/1970s. New Copy
Mr Bongo really goes back to its roots here – and returns to the kind of rare global gems that first made us fall in love with the label in the first place! Over 20 years ago, Mr Bongo were one of the key global forces in opening up people's ears to the sounds of funk and soul from around ... CD
BGP (UK), 1970s. New Copy
Funky soul from one of the less-discovered scenes in the south – the hotbed of small labels that were making some mighty great grooves in Atlanta during the 70s! The Peachtree city isn't nearly as well-cited as a soul music source in comparison to places like Memphis, Muscle Shoals, and even ... CD
Kent (UK), Mid 60s. New Copy
Sammy Davis Jr is looking pretty darn hip on the cover – and all the artists inside are sounding pretty darn hip as well – coming together during the glory days of soul jazz, at a time when blues, vocals, and R&B were also criss-crossing into other styles too! There's an upbeat, ... CD
 



⇑ Top