This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Long, lean live energy from Art Blakey and a well-remembered version of The Jazz Messengers – a group that includes both Branford Marsalis on alto and Wynton Marsalis on trumpet – plus great tenor from Bill Pierce as well! The vibe is nicely different than the 60s years of the group ... CD
One of the greatest Art Blakey Blue Note sessions of all time – and perhaps one of the greatest to realize the genius of the Jazz Messengers lineup that included Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano! The trio of young talents are at the height of their ... CD
During the late 50s – after an initial burst of recordings with Blue Note, and before a later successful run for the label – Art Blakey recorded on a number of labels with a lesser-known version of The Jazz Messengers. This album's from that stretch – and like others from the ... CD
A landmark recording by a whole new chapter in Art Blakey's career! During the early 60s, Blakey expanded the Jazz Messengers from a quintet to an incredibly tight sextet – adding in the trombone of Curtis Fuller for an extra-punched up frontline that also included Freddie Hubbard on trumpet ... CD
Phenomenal live material from the sextet-era version of the Jazz Messengers! This 2-volume CD series takes a small amount of live material that was originally issued under the 3 Blind Mice title, and adds a huge amount of previously unreleased tracks to expand both CDs into a whopping batch of ... CD
A record with Horace Silver on the cover, but a set that's really more of a Jazz Messengers date overall – as it features a smoking quintet that not only includes Art Blakey on drums and Doug Watkins on bass – but which also has some great frontline work from Hank Mobley on tenor and ... CD
A great lost album by John Patton – recorded in 1970, but not ever issued until 1995! The record was most likely held back because it's one of the funky organist's most far-reaching – a stunning batch of modal tracks that moves way past the usual organ sound, and much more into Larry ... CD
One of our favorite albums ever by Kenny Dorham – and a really different session than his usual studio work! The album captures Kenny in a relaxed live setting, with a bit more dirt on his horn than usual – blowing with a tone that's much more open and a bit less poised – in the ... CD
Maybe one of the greatest albums ever from trumpeter Kenny Dorham – a set that has him really stretching out as a musician – not just showing off that impeccable sense of tone that marked his important records of the 50s, but also coming up with new ways of phrasing, and a sometimes-uniq ... CD
A rare session as a leader from trumpeter Johnny Coles – a player who cut some great work in the groups of James Moody and Gil Evans, but who shines even more brightly on this classic Blue Note album! Coles really has an ear for finding the hippest side of his instrument – and he blows ... CD
One of the greatest Stanley Turrentine albums ever – a hard-blown session that's been one of our favorite Blue Notes for years! Turrentine's tone here is amazing – really raspy and earthy, with a quality that never shows up much in later recordings – a mode that's incredibly ... CD