This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A magnificent set from the team of Art Farmer and Jim Hall – one of those rare pairings in jazz that somehow comes off sounding even way better than the sum of its parts – and that's saying a lot, given that the parts here are already pretty darn great! Farmer's flugelhorn and Hall's ... CD
A really unique little album that features jazz versions of themes from Swedish folk music – all served up by a sublime quartet that features Art Farmer on flugelhorn and Jim Hall on guitar! The exploration of folk roots in jazz is not a new one – and a number of the postwar Swedish ... CD
Seminal early work from Art Farmer – and one of the first full albums to capture his brilliance! The record has Farmer playing in a quintet, with able accompaniment from Gigi Gryce, a young newcomer at this point, with a post-bop complication to his style that was not to dissimilar from ... CD
Very expressive work from Chick Corea – a solo set from the 90s, and a great reminder of his acoustic talents on the piano! Although Chick's a player you might normally associate with electric riffs and freewheeling fusion, he's also a very sensitive stylist when he wants to be – as ... CD
In the electric universe of the GRP label, Chick Corea makes a bold move with his Akoustic Band here – even if the overall conception of the cover and the group's fashions have kind of an "electric" 80s look to it! The group here is a trio – with John Patitucci on bass and ... CD
Pee Wee Russell on clarinet with Eddie Condon on guitar, Bud Freeman on tenor sax, Jess Stacy on piano, Muggsy Spanier on cornet, Miff Mole on trombone, and many more. Includes "Jig Walk", "Last Time I Saw Chicago", "Deuces Wild", "Embraceable You", "Ros ... CD
A great statement from vibist Milt Jackson – one of his key solo sessions in a great 60s run of recordings away from the Modern Jazz Quartet! Like the classics that followed this one, the vibe is much more soulful than any of Milt's records with the MJQ – kind of an extension of the ... CD
With Dan Grissom, Jimmie Lunceford, Laforet Dent, and Willie Smith on alto saxophone, Earl Carruthers on baritone saxophone, Joe Thomas on tenor saxophone, Eddie Durham, Elmer Crumbley, Henry Wells, and Russell Bowles on trombone, Eddie Tompkins, Paul Webster, Sy Oliver, and Tommy Stevenson on ... CD
Go Power indeed – as the album's a really stripped down groover, and one that has the tenor of Illinois Jacquet working in spare trio formation with Milt Bucker on Hammond and Alan Dawson on drums! The record's got a sound that's even earthier than some of Jacquet's other work for Argo ... CD
Pivotal work from James Moody! The record was cut at a time when Moody was completely reinventing himself – shifting from the hard bopper of earlier years, into a sophisticated, slightly exotic player with an interest in mixing many different styles into a unique soul jazz vision. As part ... CD
Really wonderful work from trombonist Al Grey – sounding hipper here than at any other point in his career! One of the great reason for Al's sound here is the presence of tenorist Billy Mitchell – a partner with Al in the Basie band, and a great player who gives just about any session ... CD