This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
(Stereo pressing. Cover has some ringwear and waviness along the bottom seam from moisture.)
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Oregon open the door for a few friends to appear on the album – and in doing so, they also open themselves up as well – in a shifting set of tracks that sometimes features different groupings of the core musicians! The guests here are Bennie Wallace on tenor, Larry Karush on piano, and ... LP, Vinyl record album
The Oregon sound, still alive and well into the 80s – perhaps given even more room to express itself in an ECM setting like this! The album's a mix of angular notes and warmer tones – very much the experimentalism that the group prided itself on at the time – and which really set ... LP, Vinyl record album
The title's a reference to the special presence of Polish violinist Zbigniew Siefert, who joins Oregon for the set – and it's also the name of the side-long track on the first half of the record – a surprisingly beautiful long improvisation by the entire group! Given the way that ... LP, Vinyl record album
Big BAD Band includes Frank Wess, Chris Woods, Ernie Wilkins, Dr Ronnie Oldrich, and Charles Davis on reeds; Clark Terry, Greg Bobulinski, Dale Carley, Paul Cohen, and Richard Williams on trumpets; Sonny Costanzo, Eddie Bert, Jimmy Wilkins, and Jack Jeffers on trombones, Ed Soph on drums, Victor ... LP, Vinyl record album
An expansive early 70s set from Larry Coryell, joined by an all star group of players: John McLaughlin, Chick Corea, Miroslav Vitous and Billy Cobham. The mood varies throughout, from pieces with a wide reaching searching quality like the title track and "Chris", to a free-ish take on ... LP, Vinyl record album
Guitarist Larry Coryell really changes it up from before – shedding both some of his electric modes and his vocal inclinations – and also working with a completely different group, who give the record a very unusual sound! Coryell plays a lot of acoustic guitar here, in addition to ... LP, Vinyl record album
A weird little record – but not without some nice moments! The record was produced and put together by Jan Hammer – and in many ways, is very much like his hard-jamming fusion work fo the time. Earle plays congas, timbales, moog, and other percussion – and also sings on a number ... LP, Vinyl record album