This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An early cooker from Gerry Mulligan – working here with a real birth of the cool-styled group that includes Chet Baker and Pete Candoli on trumpets, Bud Shank on alto, John Graas on French horn, Bob Enevoldsen on trombone, and Chico Hamilton on drums – a really wonderful group that has ... LP, Vinyl record album
Mulligan plays with his orchestra, with featured soloists including Keith O'Quinn, Mitchel Forman, Mike Bocchicchio, Barry Ries, Tom Harrell, Gerry Niewood, Ken Hitchcock, and Gary Keller. LP, Vinyl record album
The sound of Gerry Mulligan in the early 60s – and one of the best records by his larger than usual Concert Jazz Band! Given Gerry's piano-less experiments of the 50s, it's surprising to actually have him as the pianist on this session – hitting the keys with a nice light touch, so ... LP, Vinyl record album
A sweet little large group session from Gerry – a bit harder swinging than some of his mid 50s small group work, but still with that mellifluous glide that's the trademark Mulligan sound! Arrangements are by some great talents – including Al Cohn, Johnny Mandel, and Bob Brookmeyer, who ... LP, Vinyl record album
A pretty great little album – and very different than Gerry Mulligan's regular sides from the time! The session was originally produced as part of the sessions for the short-lived Jazztime label in the early 60s – and was produced by Dave Bailey with a soulful undercurrent that's quite ... LP, Vinyl record album
Another of Mulligan's large Concert Jazz Band sides, with a large section of brass and reeds, mostly featuring Mulligan and trombonist Bob Brookmyer in the soloist's seat. The thing we've always dug about this group is that they move with the fluidity of a smaller ensemble, but like a middleweight ... LP, Vinyl record album
Great large group material from Gerry Mulligan – and a record that definitely defines the sound of his famous Concert Jazz Band of the early 60s! The group features a four part sax section – headed by Mulligan, with other players that include Zoot Sims on tenor, Gene Allen on baritone, ... LP, Vinyl record album
As close as Gerry Mulligan ever came to cutting an album of funky jazz – an electric-tinged set recorded with arrangements by Dave Grusin, who also plays electric piano on the set, which makes for an odd, but surprisingly pleasing contrast with Gerry's baritone. Tracks are long with smooth ... LP, Vinyl record album
A surprisingly groovy set of mid 60s tunes by Gerry – recorded in LA with backing by a small group that includes the great Hal Blaine on drums and Pete Jolly on piano, plus a string section conducted by Harry Bluestone. Mulligan's main role is to lay down some moody solos – in a manner ... LP, Vinyl record album
A classic live album by Gerry – featuring one set of tracks recorded in Stockton, CA in 1954, with Chico Hamilton, Red Mitchell, and Jon Eardley; and another recorded in San Diego the same year, with Zoot Sims, Bob Brookmeyer, Larry Bunker, Red Mitchell, and Eardley. Gerry even plays a bit ... LP, Vinyl record album
A stunner – and one of Clark Terry's finest moments ever! The record has a rawness and groove that you'd hardly expect from his later albums – no surprise, though, considering that it was cut during that really hip time at Emarcy, when the label was working in a mode that was darker ... LP, Vinyl record album