This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of the massive Ron Carter albums from the mid 70s – and a set of 4 open-ended modal tracks that hit a similar Latin/but not Latin approach as the tracks on Coltrane's great Ole album. The group's a small one – featuring Carter on bass, Billy Cobham on drums, Jay Berliner on guitar, ... CD
Featuring Ron Carter on bass, Stephen Scott on piano, Payton Crossley on drums, and Roger Squitero on percussion. Tracks include "Gone", "Seven Steps To Heaven", "Bags' Groove", "Bye Bye Blackbird", "Someday My Prince Will Come" and the Carter ... CD
A great later album from Sonny Fortune – still as wonderful here as he was in the 70s! Sonny blows alto, soprano, and flute – and the group also features work from Kenny Barron on piano, Jerry Gonzalez on trumpet, Robin Eubanks on trombone, and Billy Hart on drums! Titles include ... CD
Heavy funk from Jimmy McGriff – a monster set of grooves that ranks with his best of the late 60s! The tracks are short and sock-hard – Jimmy wailing on Hammond, over rhythms that have plenty of sharp edges, and lots of nice drum work – all recorded in a mode that's a heck of a ... CD
A long-unavailable album from Andrew Hill – a quartet date that's filled with jagged edges and bold fragments of sound! The material was recorded in the 60s, but not issued at the time – and only appeared briefly in the mid 70s as part of a Sam Rivers 2LP set titled Involution. There's ... CD
A classic Blue Note meeting of two of the label's top talents in the early 60s – Hammond hero Jimmy Smith, and the up-and-rising Stanley Turrentine on tenor! Turrentine's simply great at this point – playing with a raspy edge on the bottom of his tone, sounding dark and mysterious ... CD
Tracks include "Minor's Holiday", "Lotus Flower", "Mexico City", "Philly Twist", "Blue Bossa", "Short Story", "Una Mas", and "The Fox". Features work by Joe Henderson, Elvin Jones, Herbie Hancock, Kenny Burrell, ... CD
A warmly melodic session from Blue Note's greatest guitarist! The sound of the set's as evocative as the title – an idle moment of space between the notes, explored by Green's tight single-note work on guitar – and wonderfully supported by a lineup that includes Joe Henderson, Bobby ... CD
Ronnie Laws on tenor & soprano saxophone, Gary Bias on baritone saxophone, Oscar brashear & Michael Stewart on trumpet, Craig T Cooper on guitar, Vernell Brown Jr on piano, Partice Rushen on piano solo, Jeffrey Suttles & William Bryant on drums, Darryl Munyungo Jackson on percussion, ... CD
Maybe one of the greatest albums ever from trumpeter Kenny Dorham – a set that has him really stretching out as a musician – not just showing off that impeccable sense of tone that marked his important records of the 50s, but also coming up with new ways of phrasing, and a sometimes-uniq ... CD