Oliver Nelson/Lou Donaldson : Back Talk (Fantabulous Oliver Nelson/Rough House Blues) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Back Talk (Fantabulous Oliver Nelson/Rough House Blues)

LP (Item 51516) Chess/Cadet, Mid 60s/Mid 70s — Condition: Near Mint-
2LP Gatefold
A 70s 2-fer that combines 2 albums recorded for Cadet in the mid 60s – one issued under Nelson's name, the other under Lou Donaldson's, but both featuring arrangements by Nelson. The Nelson LP is a pretty darn nice session in which Nelson is the lead soloist with a large group that includes Phil Woods, Jerome Richardson, Patti Brown, and Art Hoyle. Nelson plays tenor throughout, and the band has a very tight swing, in keeping with Nelson's incredible arranging style on albums like those he cut with Jimmy Smith. Tracks include "Daylie's Double", "Laz-ie Kate", "Teenie's Blues", and "Three Plus One". The Lou Donaldson LP is one of Lou's more unique sides of the 60s – as the album features him as the main soloist over arrangements by a group headed up by Oliver Nelson. As has been ably demonstrated on many sides on labels like Verve, Impulse, and Capitol – there's no better talent than Nelson for taking a strong soulful player, and putting him into a context that will let him solo at his best, and not be overwhelmed by the band. There's some nice organ in the group, and titles include "Tippin In", "Back Talk", "Huffin N Puffin", and "Ignant Oit".  © 1996-2023, Dusty Groove, Inc.
(Cover has ring & edge wear and a catalog number in pen on both sides.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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