This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Includes Portrait of Cannonball, Jump For Joy, Things Are Getting Better, In Chicago, Blue Spring, Cannonball Takes Charge, In San Francisco, and Them Dirty Blues. CD
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling ... CD
Cannonball Adderley's enroute to a great jazz legacy here – stepping out in a groove that begins to show some of the soul jazz modes he was forging at the end of the 50s – a great change from the straighter bop styles of his early years! The lineup here is a wonderful early expression ... CD
A great session from 1959 – one that features John Coltrane playing tenor in a combo that's billed as being led by altoist Cannonball Adderley – but which is really more of a Miles Davis combo, without Miles! The set was recorded in Chicago when both were stopping through the city ... CD
Titles include "74 Miles Away", "Country Preacher", "Work Song", "Jive Samba", "Mercy Mercy Mercy", "Walk Tall", and "Why Am I Treated So Bad" – lots of classics produced by David Axelrod! CD
Classic trumpet-heavy jive from Jonah Jones – reissued here with a number of bonus tracks pulled from other albums from the late 50s. The focus is on Jonah's gutbucket swinging style, with his trumpet up front in the mix in post-KC swing-type tunes. Things get a bit campy at times, but this ... CD
Notable sidemen include John Lewis on piano, James Moody on tenor sax, Cecil Payne on baritone sax, Milt Jackson on vibes, Chano Pozo on congas, and Al McKibbon on drums. CD
Classic modernist jazz from the 50s, long out of print in the US, and issued here in a beautiful CD that includes a huge amount of tracks and good notes on the material! Half of the CD is a reissue of Warne Marsh's rare Jazz Of Two Cities album, a killer two-tenor workout with an icy cool feel, ... CD
Selections from "The Legend And The Legacy" box set – titles include "Nola", "Tennessee Waltz", "I'm A Fool To Care", "Tiger Rag", "My Baby's Comin Home", and "Bye Bye Blues". 20 tracks total. CD
A classic pairing of the guitar of Earl Klugh and the keyboards of Bob James – and a set that really makes some great steps forward out of a blend of the acoustic and electric sounds from each player! Earl's strings sound especially nice over James' Fender Rhodes – but even cuts with ... CD