Roy Eldridge : Roy Eldridge – Jazz Legacy (aka I Remember Harlem) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Roy Eldridge – Jazz Legacy (aka I Remember Harlem)

LP (Item 513936) Inner City, 1950/1951 — Condition: Near Mint-
Roy Eldridge remembers Harlem – but from the perspective of Paris, which is where these sides were recorded at the start of the 50s! The set features some very strong Eldridge sides from 1950 and 1951 – material that's way more than just some basic tracks recorded overseas, and which easily matches the strength of some of Roy's American work of the time! The first batch of tracks have Eldridge's trumpet in a cool French group with Benny Vasseur on trombone and Albert Ferreri on tenor – and other numbers are recorded by a group with Don Byas on tenor and Claude Bolling on piano – plus a few more with just Eldridge and Bolling in duet, and a few more with Roy on solo piano. Titles include two takes of the vocal number "Une Petite Laitue", plus "I'd Love Him So", "Oh Shut Up", "Black & Blue", "L'Isle Adam", "I Remember Harlem", "Improvisation", "List Blues", and "Fireworks".  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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