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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Following up the strength of the first Jazz Greats set, Manny returns with a west coast version of the project – one that features players that include Richie Kamuca, Conte Candoli, Jack Sheldon, Bill Holman, Lou Levy, Charlie Mariano, and Shelly Manne – all dependable stalwarts of the ... LP, Vinyl record album
An excellent album of 50s work from Edgar Sampson – an older saxophonist from the swing years in Harlem, and a heck of a great composer as well! The session features Sampson revisiting 12 of his famous classics – including a number that were big tunes in the Benny Goodman and Chick ... LP, Vinyl record album
Beautiful – simply beautiful – one of the greatest Wayne Shorter albums for Blue Note, and one of our favorite jazz albums ever! The record is a masterpiece of lyrical delight – soul jazz mixed with slight touches of experimentalism – but still warm, swinging, and personal ... LP, Vinyl record album
Pure genius from the B Baker Chocolate Company – a set that's equal parts fusion and soul, held together by these rich arrangements that really send the whole thing home! The album's never too slick, yet has a sense of perfection that matches some of the best soulful fusion dates at Blue ... LP, Vinyl record album
An obscure session that Chet recorded in the mid 60's with a rhythm section from Detroit that includes the Kirk Lightsey, Herman Wright, and Roy Brooks – and that features some firey playing by George Coleman on tenor. Tracks include "Rearin' Back", "Grade A Gravy", and ... LP, Vinyl record album
A rare treat by Gary Bartz – and very different than most of his other work! The album's a small group session – with Charles Mims on piano, Curtis Robertson on bass, and Howard King on drums – recorded with the feel of a looser soul jazz set on Black Jazz or Strata East. Mims' ... LP, Vinyl record album
A killer electric piano jam from the great Mike Longo – stone funky, and one of his best albums ever! The whole thing's done in a really laidback style that's simply amazing – a lot like the best CTI work of the time, but somehow rougher, and with a darker edge. Longo riffs out on the ... LP, Vinyl record album
A soaring set from guitarist Grant Green – a really amazing double-length set that caps off his legendary run for Blue Note – done with a vibe that's different than most of his other work for the label! Like some of the other Lighthouse sessions from Blue Note – particularly ... LP, Vinyl record album
A classic album from Chet – and one that's got a perfect mix of vocal and instrumental moments, of the sort you don't find easily on other albums! Chet plays trumpet and sings, and is backed by Kenny Drew, Sam Jones, and Philly Joe Jones – a different style of group from his west coast ... LP, Vinyl record album