CD, LP, Vinyl record album cover art
View larger image       Image note

Now's The Time – Deep German Jazz Grooves 1956 to 1965

CD (Item 513733) Sonorama (Germany), Late 50s/Early 60s — Condition: New Copy
Out Of Stock

CD


4.60 13

The cream of modern jazz in Germany during the postwar years – the kind of amazing music that never made it over to our side of the Atlantic, but which was really marking some great jazz development on the European scene of the time! As Germany picked itself up from the ashes of the war, it also experienced an amazing cultural rebirth – in film, literature, and especially music – music like this, which bursts forth with a freshness and urgency that still sounds as creatively compelling here in the 21st Century as it did back at the end of the 50s! The vibe is very much a precursor to better-known sounds from the Saba/MPS scene, and many of these artists later recorded for that label too – but here, the work is nicely early, and pretty darn great – a selection of titles that includes "Domicile" by Joki Freund & Albert Mangelsdorff, "Minority" by Michael Naura, "Lover Man" by Inge Brandenberg, "Night Bounce" by Attila Zoller, "Ease It" by Albert Mangelsdorff, "Madam B" by Die Deutschen All Stars, "Mike's Blues" by Michael Naura, and "Meeting At The Barberina" by Horst Jankowski & Rolf Kuhn.  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

As a rule, Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested in


CD, LP, Vinyl record album cover art
BGP (UK), Late 60s/Early 70s. New Copy
Killer funky stuff! Dean Rudland put together this tasty set of lost funk tracks from the many labels currently making up the BGP/Ace catalog – and the groove runs through 15 tracks of hard heavy soul, fuzzy funky instrumentals, and slammin groovy grooves. A few tracks on the set might be ... CD
CD, LP, Vinyl record album cover art
Kent (UK), Late 60s/Early 70s. New Copy
A massive collection of soulful groovers – tunes that packed the dancefloors in the days before disco, and which definitely show the harder edge of the soul spectrum! The set starts off with mid-60s tunes based around a simple rhythm and a quirky dance gimmick – then branches out into ... CD
CD, LP, Vinyl record album cover art
BGP (UK), Late 60s/Early 70s. New Copy
An absolute funky monster! This set lays out an incredible batch of funk era singles from the vaults of Galaxy Records – and it shakes and burns all the way through, with lost funk bombs Bobby Rush, Rodger Collins, Bill Coday, Bobby Eaton, the Debonairs and others! It's comprised of mostly ... CD
CD, LP, Vinyl record album cover art
Ace (UK), Late 60s. New Copy
Seminal spy sounds from the 60s – a treasure trove of spy-themed tunes, and one that features loads of material you might not hear otherwise! The set doesn't feature the big hits from the James Bond films, and instead includes all the great little records that sprung up in the wake of those ... CD
CD, LP, Vinyl record album cover art
All Platinum/Outta Sight (UK), 1970s. New Copy
Funk, soul, and plenty more too – a massive batch of work from the legendary All Platinum label – the pre-hip hop chapter of the Sugar Hill Records scene! The work here nicely runs the gamut – as the set features lots of the great funk you'd find on All Platinum 45s, mixed with ... CD
CD, LP, Vinyl record album cover art
Light In The Attic, Late 70s/Early 80s. New Copy Gatefold
A second set of grooves from the Seattle scene – and a much-needed follow-up to the first Wheedles Groove compilation! This set picks up where the last one left off – still digging the funk and soul of the 70s, but also following the scene into clubby territory, modern soul, and boogie ... CD
CD, LP, Vinyl record album cover art
Resonance, 1965. New Copy 2 CDs
Never-heard music from the great Charles Lloyd – two well-recorded live sets from the 60s, both with a very unusual group! The lineup has Lloyd on tenor, soprano, and flute, working with frequent partner Gabor Szabo on guitar – but the rest of the quartet also features Ron Carter on ... CD
CD, LP, Vinyl record album cover art
Charlie Haden/Jim Hall
Blue Note/Impulse, 1990. New Copy
Beautiful duets between guitarist Jim Hall and bassist Charlie Haden – recorded here in a previously-unissued live date from 1990 – with sublime sound throughout! Both players really open up when given the right sort of space – and find wonderful harmony together here – ... CD
CD, LP, Vinyl record album cover art
Victor (Japan), 2014. New Copy
One of the coolest collections of contemporary soul we've ever heard – a wonderful batch of work in a laidback, cosmic sort of vibe! The music here resonates strongly with the 70s vintage you'll find in most of the other Free Soul compilations – but it's all relatively recent, and ... CD
CD, LP, Vinyl record album cover art
Joy In Spite Of Everything
ECM, 2014. New Copy
The "joy" in the title is certainly well-placed – as the music here has a buoyant, ebullient quality that's unlike most we're used to hearing from the artists on the record – and from ECM in recent years! The group's led by pianist Stefano Bollini, whose light tones ring out ... CD
CD, LP, Vinyl record album cover art
Stag O Lee (Germany), Late 50s/Early 60s. New Copy
Early soul, late R&B, and plenty more – served up here in a mighty cool compilation that definitely lives up to its name! This one's perfect for a hot summer night – when the grooves always sound best when they're a bit laidback – the kind of mellow grinders and slower ... CD
 



Top