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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Like Eddie Harris, Lou Donaldson, and a few other aging soul jazz stars in the late 60s, Sonny Stitt turned to the electric Varitone sax to juice up his career a bit. And while he never used it to as good effect as players like Harris and Donaldson, he still managed to crank out some nice sounds, ... LP, Vinyl record album
Benny Carter was really on fire in the 60s – a saxophonist who was not only re-asserting his role as a soloist, but also a growing new talent in the field of arranging, as well – on records like this killer outing with the Count Basie group, and a host of other excellent albums to come! ... LP, Vinyl record album
Rare album of organ jazz by the lost Perri Lee trio. Lee was another one of the great female organists around in the early 60's – like Shirley Scott or Rhoda Scott – and she just wails in this live set recorded at Count Basie's nightclub in Harlem. A big added bonus on this album is ... LP, Vinyl record album
One of Louie's hippest records – a hard grooving set of tracks recorded live, with a swinging off-beat edge that's very different than some of his other straighter work. The players include Conte Candoli on trumpet, Joe Maini on alto, Willie Green on tenor, and Bill Perkins on baritone ... LP, Vinyl record album
A really great, oft-overlooked album from the best period of Quincy Jones! This album is quite possibly Quincy's most farthest-reaching – as he works in an array of styles that really shows his growing genius in the studio – not just jazz and soundtrack modes, but more soul-based ones, ... LP, Vinyl record album
Brian Auger's first album away from singer Julie Driscoll – and a landmark batch of funky organ work that made big waves in both the rock and jazz worlds at the time! Auger's really stretching out here – getting past the simple R&B of his roots, and going into a bubbling funky ... LP, Vinyl record album
A treasure trove of rare jazz recordings – all material that was cut during the short run of the Beehive label – that excellent Chicago imprint that was based along the ideals of recordings first put in place by Blue Note and Prestige! Beehive also grabbed a lot of players who worked ... LP, Vinyl record album
One of a rare few albums done by pianist Cecil Taylor for the Blue Note label in the 60s – some of the most outside work recorded for the imprint at the time! The word "structures" here is perhaps a bit misplaced – as the work has a strong sense of freedom with the soloists ... LP, Vinyl record album
One of the rarest albums ever by this legendary jazz supergroup – a Japanese-only set that we'd rank right up there with some of Herbie Hancock's Japanese albums from the same time! The group features Herbie on piano, Wayne Shorter on tenor, Freddie Hubbard on trumpet, Ron Carter on bass, ... LP, Vinyl record album
A collection of some of Kenton's early 50s hits, presented here as "encores", with most of the tracks arranged by Pete Rugolo. 11 tracks in all, including "He's Funny That Way", "Painted Rhythm", "Journey To Brazil", "Somnambulism", "Chorale ... LP, Vinyl record album
Excellent later work from trumpeter Dizzy Reece – best known for his classic late 50s sides on Blue Note and New Jazz, but heard here as part of a great flurry of 70s revival sessions! The work's got an arch modern tone that's really surprising – almost a bit like Ted Curson at times, ... LP, Vinyl record album