This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The title's a bit of a joke – because the record features a batch sidemen from the Count Basie band – Thad Jones, Joe Newman, Freddy Green, Billy Mitchell, Frank Foster, and others – all working with Sarah, but the Count's name is missing, due to contractual obligations! Despite ... LP, Vinyl record album
One of our favorite albums ever by Sarah Vaughan – and a really jazz-based session that's totally hip! Sarah's working here live at the legendary London House nightclub in Chicago – singing with a small combo that includes Ronnell Bright on piano, Richard Davis on bass, and Roy Haynes ... LP, Vinyl record album
A hip album from Sarah Vaughan – one recorded with great jazz backings from Ernie Wilkins, and featuring a young Cannonball Adderley as the main soloist! The addition of Adderley's alto definitely brings a swinging sound to the set – a sense of soul that's even deeper than usual for ... LP, Vinyl record album
One of Vaughan's nice jazz sides from the 50s on EmArcy, but cut with slightly larger backing, almost in the vein of some here concurrent pop oriented work at the Mercury parent label during the same time. Arrangements are by Hal Mooney, and Vaughan takes an approach that showcases how she ... LP, Vinyl record album
A gorgeously and lush batch of material cut with arrangements by Peter Matz & Don Sebesky – with a surprisingly intimate feel! The strings soar, but the percussion is fairly spare and often a little bit off kilter – while Carmen emphasizes her phrasing and more earthy tendencies ... LP, Vinyl record album
One of the more obscure 60s albums cut by jazz vocalist Irene Kral – and a great little record that shows her to be more of a singer than we expected! Some of the tunes on the set have the straight vocals with band feel of Irene's other albums, but a few more go for a groovier sort of 60s ... LP, Vinyl record album
A rock-solid swinger from the great Carmen McRae – working here in a live setting with a very cool combo! The group's more than just a trio – although it is grounded by excellent piano work from Norman Simmons – and the record features nice use of flute from Ray Bernstein, guitar ... LP, Vinyl record album