This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Sarah Vaughan gets some great backings here from Quincy Jones – who brings a nice sort of punch to the record, and makes it one of her grooviest from the early 60s! The style's still somewhat traditional – not as much in moddish Jones modes from a few years later – but there's ... LP, Vinyl record album
A dozen classics from sassy Sarah Vaughan's Mercury years, including "Misty", "Broken Hearted Melody", "Make Yourself Comfortable", "Autumn In New York", "Moonlight In Vermont", "How Important Can It Be", "Smooth Operator", " ... LP, Vinyl record album
One of Sarah's few albums for Columbia – and quite possibly the best, thanks to some great small group backing, heard on 8 of the album's 12 tunes! The group's a really great one – with Miles Davis on trumpet, Benny Green on trombone, Buddy Johnson on tenor, Tony Scott on clarinet, ... LP, Vinyl record album
One of the last great records ever made by Sarah Vaughan – a really solid session of Brazilian tunes, one that's produced by Sergio Mendes, arranged by Dori Caymmi, and which features guest vocals by Milton Nascimento! The general approach is west coast mellow – as the group features ... LP, Vinyl record album
A hip album from Sarah Vaughan – one recorded with great jazz backings from Ernie Wilkins, and featuring a young Cannonball Adderley as the main soloist! The addition of Adderley's alto definitely brings a swinging sound to the set – a sense of soul that's even deeper than usual for ... LP, Vinyl record album
A gorgeously and lush batch of material cut with the Peter Matz Orchestra – with a surprisingly intimate feel! The strings soar, but the percussion is fairly spare and often a little bit off kilter – while Carmen emphasizes her phrasing and more earthy tendencies with any empty ... LP, Vinyl record album
One of Eddie's last great records, and a smoking live set that has him singing with a group that includes Eric Kloss, Richie Kole, and Mickey Tucker playing some sweet electric piano. The vibe is more traditional vocalese than some of Eddie's other Muse recordings, with a return to the solid sound ... LP, Vinyl record album
Indescribably beautiful work from Kenny Rankin – a jazzy blend of vocals and folk – delivered with a warm and soulful tone that's unlike anyone else! The whole thing's great – really very much its own spirit, and kind of a bright light after a host of doom and gloom late 60s folk- ... LP, Vinyl record album
Fantastically sweet pop from Chris Montez! Chris had a light little voice that was perfect for the A&M Records approach of the 60s – a style that has him singing gently over arrangements that glide and bounce around with ease, sometimes handled by Herb Alpert, in a breezy sunny LA mode ... LP, Vinyl record album