This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
(Booklet has a small hype sticker and a small tear inside, barcode has a name in pen.)
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
An album with a groove as fluid as you might guess from the title – and from the nicely stretched image of Oscar Peterson on the cover! The album's one of the best-remembered from Oscar's years at MPS – a session that's got almost as much soul jazz at the bottom as it does the fluid ... CD
A solo sparkler from Oscar Peterson – recorded in a flurry of excellent late 60s recordings for MPS, and done in a warmly rhythmic mode that puts Peterson's solo work right up there in the ranks of Tatum and Garner! The production on the album is immaculate – done with a depth that ... CD
The West Side Story score – but handled here by the great Oscar Peterson Trio – in ways that really push the tunes past their Broadway roots! The approach is tight, soulful, and filled with strong lines from Peterson on piano – plus bass by Ray Brown and drums from Ed Thigpen ... CD
One of the first Oscar Peterson albums to ever feature "soul" in the title – added, no doubt, as a way of keeping up with Ray Bryant and other pianists making their name in the growing soul jazz field at the time! There's a groove here that's a bit harder than usual for Peterson on ... CD
We love Oscar Peterson with strings – a setting he never got to use that often, given the popularity of his famous trio recordings! When Oscar gets set up with strings, he seems to play even more freely than with a combo – let loose from rhythm a bit more than before, and instead ... CD
Excellent meeting between 2 mighty talents who rarely recorded together! Oliver Nelson did the arrangements and leads a big band, but the real focus is on Jimmy and Wes' solos, which are given a lot of room to roam in long tracks like "James & Wes", "Night Train", and " ... CD
Excellent reissue of a lost session by Diz that was originally recorded for Limelight, and which focuses on Diz's committment to Latin and Carribean rhythms. The set features Diz's great mid-60's combo with James Moody (on tenor and Latin flute), Kenny Barron (on piano and bass), and Chris White ... CD