This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Includes the songs "Klact-Oveeseds-Tene", "Don't Blame Me", "Quasimodo", "Crazeology", "Bluebird", "Parker's Mood", "Constellation", "Marmaduke", "Slowboat To China", "Scrapple From The Apple", and ... CD
One of the more obscure Charlie Parker sessions of the 40s – at least in the original release! The material was recorded in 1948, on a home tape recorder, but not issued until after his death – part of a huge wave of Charlie Parker material that hit the market at the end of the 50s and ... CD
Charlie Parker takes on the music of Cole Porter – with results that make for some of his most classic moments at Verve! Parker's horn is as hard-bitten as always, but it's also working here in a slightly lyrical vibe – one that brings out the warmth that Charlie could have at just the ... CD
Rare work by Charlie Parker, recorded at Storyville Nightclub in Boston in 1953 – originally broadcast on radio station WHDH, and featuring Bird in a more open, relaxed style than his studio sessions. The recording quality is a bit dated, but the quality of the playing isn't – with ... CD
The genius of Bird and strings is hard to describe – an edgey approach that really goes far past most other "jazz with strings" projects, not a ballad-driven one, but a tensely strained one that brings out some of Parker's best soloing, almost in a moody soundtrack-type way. The ... CD
John Coltrane's classic – and only – recording as a leader for Blue Note! The album's no throwaway date, though – as it stands strongly with both Coltrane's other label work of the time, and with the best of the late 50s Blue Note scene – a time when the label was really ... CD
A great lineup – with Idrees Sulieman on trumpet, Benny Powell on trombone, Billy Harper on tenor, Talib Kibwe on alto, Dewey Redman on tenor, Idris Muhammad on drums, and Big Black on percussion – plus guest work from Pharoah Sanders and Dizzy Gillespie! CD
A nice later set – with a fair bit of solo material, but also a few duets each with John Scofield on guitar and George Adams on tenor! Includes the bonus tracks "Lush Life", "Sweet and Lovely", and "Song For My Lady". CD