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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Sweet electric keys from the great Bob James – a record that's a bit smoother than some of his first few classics for CTI, but still plenty darn nice! The set's got Bob working with a range of key fusion and studio players who include Steve Gadd, Earl Klugh, Eric Gale, Hubert Laws, Mongo ... LP, Vinyl record album
A rare non-Blue Note date as a leader from bassist Paul Chambers – and one of his hardest cooking dates in the studio! The session breaks out a bit from some of Chambers' more concept-based work of the time – and has him opening up strongly with an all-star group that includes ... LP, Vinyl record album
We're not sure what "soul-stream" is as a genre – but given the strength of this record, we'd be more than willing to grant it onto Curtis Fuller all by himself! The record's a gem that's even more obscure than Fuller's already-rare dates for Blue Note at the end of the 50s – ... LP, Vinyl record album
One of Johnny Griffin's hard blowing LPs as a leader for Jazzland – recorded with a crack lineup that includes Blue Mitchell on trumpet, Julian Priester on trombone, Wynton Kelly on piano, Sam Jones on bass, and Albert Heath on drums! This is the kind of work that the term "hard ... LP, Vinyl record album
A gem of a record – Eric Dolphy's last studio session, recorded in Paris with some very surprising guest stars! The work is really tremendous – every bit as great as Dolphy's monumental studio albums for Prestige, and written and performed with a similar blend of the free, the lyrical, ... LP, Vinyl record album
A great little session of soul jazz – and very much in a classic mode, but with touches of the Strata East sound of the 70s. Although Blue Note and Prestige had seemed to abandon straighter soul jazz by the early 70s, Muse was cranking out some nice sides with older players of the 60s scene. ... LP, Vinyl record album
Some of the best work ever from pianist Billy Taylor – and some of the earliest too! Taylor's 50s trio with Earl May and Percy Brice is augmented here by conga work by the great Candido – and this addition brings a lot of fire to the group, giving Taylor's normally safe style a harder ... LP, Vinyl record album
Massively funky – and one of Jimmy McGriff's best albums for the Groove Merchant label! The album's follows strongly on the mode of Jimmy's classic Worm album – also produced by Sonny Lester, issued slightly before on the Solid State label. The set's got that stripped-down, hard-n-funk ... LP, Vinyl record album
A big album for Les – as his Les McCann Ltd trio (with Vic Gaskin and Paul Humphrey) is expanded with some extra guitar work by Vincent Corrao, which opens the tunes up a bit more than usual, and lets Les and crew move from hard and soulful, to mellow and bluesy with one easy sweep of the ... LP, Vinyl record album
Haunting set of stripped down tracks by the brilliant Yusef Lateef, who not only plays his usual assortment of reeds here – tenor, alto, flute, and oboe – but also lays down a bit of theremin! He's accompanied by Hugh Lawson on piano, Reggie Workman on bass, and Roy Brooks on drums ... LP, Vinyl record album