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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Amazing work from Eric Dolphy – a record that's come out on a number of different labels, under a number of different names – but which is one of his most perfectly-realized sessions of the 60s, and one of his most spiritual albums ever! The record features a shifting lineup of players ... LP, Vinyl record album
A surprisingly enchanting album of piano work from Charles Mingus – one of a few he cut on the instrument, and quite different than his regular work on bass! Unlike the bold, angry role that Mingus would take on as a leader, the approach here is very personal and introspective – long ... LP, Vinyl record album
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... LP, Vinyl record album
One of the most interesting sets of work we've ever seen from Dolphy – a live performance recorded in New York on October 7, 1962, and one that features him working with a host of unusual sidemen – including Herbie Hancock on piano, Ed Armour on trumpet, Richard Davis on bass, and Edgar ... LP, Vinyl record album
Way nicer than some of Milt's earlier work – and one of the gems he recorded with bassist Ray Brown during the late 60s. The group's got a tight soul jazz stepping groove – with Monty Alexander on piano, comping along right over Ray's warm basslines in a very tasty way. Teddy Edwards ... LP, Vinyl record album
A big album for Les – as his Les McCann Ltd trio (with Vic Gaskin and Paul Humphrey) is expanded with some extra guitar work by Vincent Corrao, which opens the tunes up a bit more than usual, and lets Les and crew move from hard and soulful, to mellow and bluesy with one easy sweep of the ... LP, Vinyl record album
An excellent album that mixes Latin grooves with heavy Hammond organ – one of the most unique albums ever recorded by the great Shirley Scott! The session features Shirley's organ backed up by the Latin Jazz Quintet of Juan Amalbert– a very hip combo that blends together piano, vibes, ... LP, Vinyl record album
An incredible document of late 60s America – composed and conducted by Gary McFarland, in a style that's much more ambitious than any of his other work! The album's fully titled "America The Beautiful: An Account Of Its Disappearance" – and features "movements" ... LP, Vinyl record album
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling ... LP, Vinyl record album
Roland plays moody jazz versions of some of the biggest soul hits of the early 70's – including tracks like "What's Going On", "Mercy Mercy Me", and "Ain't No Sunshine" – plus some other nice originals which sum up his take on "blacknuss". Titles ... LP, Vinyl record album