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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Titles include "I Wonder Who She's Seeing Now", "10 x 10", "Little Things", "Every Time I Close My Eyes", "Do You wanna Go With Me", "I Got Your Number", and "Look What You Started". LP, Vinyl record album
The Temptations are looking a bit cheesy on the cover here, but they still sound great – and the album's great proof that the group were one of the few from their generation who could always keep things up over the years! The production and instrumentation are definitely on the modern side, ... LP, Vinyl record album
The Temptations doing The Temptations and doing it pretty darn well – further proof that the group just kept on going with greatness, even during the years of their lesser fame! The album's got a slight bit of mid 70s polish – a bit of a nod towards the dancefloor at times, but never ... LP, Vinyl record album
A tightly funky set from The Temptations – a record that has the group still standing strong in the post-Norman Whitfield years – working here with producer Jeffrey Bowen in a groove that's almost got some P-Funk touches at times! Things are somewhat polished, but still in the best ... LP, Vinyl record album
A masterpiece in psychedelic soul from The Temptations – perhaps the most perfectly realized album from their years working with Norman Whitfield! The set's awash in that bottom-heavy, rumbling funk mode that Whitfield brought to the group at the end of the 60s – served up in bold ... LP, Vinyl record album
The Temptations pick up a lot of soul on this classic Motown set – a deeper, darker groove than ever before – the start of that fuzzy psychedelic soul style that made them one of the most inventive Motown acts of the late 60s! Deep basslines roll out strongly right from the start of ... LP, Vinyl record album
They certainly got the title right on this one – because the album's an early 70s masterpiece from the Temptations – one of the last in their legendary run of records with Norman Whitfield! By this point, the group are way past simple harmony soul – and are working with Whitfield ... LP, Vinyl record album
The Temptations going in all directions – and all of them pretty darn groovy too! The set's still heavy on the solid, righteous sound of Norman Whitfield – who gives some of the best cuts that psychedelic soul imprint he really perfected with the group – a quality that has a lot ... LP, Vinyl record album
It's later in the Temps' career, when they were cutting much heavier soul material – but Berry's still got them polishing up for the crossover crowd, in this case at London's classy Talk Of The Town nightclub. The group still get in some strong soul tunes – like "Cloud Nine", ... LP, Vinyl record album
After a few years a Motown's big crossover chart star, how could Martha not be Riding High? This album keeps the groove right on rolling, with a strident batch of girl soul tracks that includes a mixture of pop and Motown tunes – including "Forget Me Not", "Honey Chile", ... LP, Vinyl record album
Maybe the best album ever from this late 70s Motown group – a set that's got the girls really stepping out with a nice degree of power – in a groove that's different than the usual female disco mode of the time! The record's got a much more fully-formed sort of feel – not just a ... LP, Vinyl record album