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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A super huge hit for George Benson – and the record that took him from being a funky jazz guitarist into an R&B superstar – opening up sides of his talent that first emerged on his 50s R&B recordings as Little George Benson, but taken here into some very hip 70s territory! The ... LP, Vinyl record album
With Omar Hakim on drums, Marcus Miller on bass, Michael Sembello on guitar, Don Freeman on keyboards, Paulinho da Costa and Malando Gassama on percussion, Buzz Feiten on rhythm guitar, George Duke on clavinet, James Skelton on Hammond B-3, and Bob Mintzer on bass clarinet. LP, Vinyl record album
One of our favorite albums ever from the great Clare Fischer – and one of the first to really show his special talents at their best! The sound here is a wonderful blend of jazz, Latin, and Brazilian modes – and in addition to piano, Clare plays plenty of organ on the date – ... LP, Vinyl record album
A great example of the way that Gil Evans really opened up his groove in the 70s – moving here way way past the cool jazz and third stream of earlier years – into a soulful style that's far groovier than might be expected! Part of the strength of the set is because of the players ... LP, Vinyl record album
A smoothed out late 70s set from Grover Washington Jr – a fairly slick affair of soul jazz – really honing in on the melodic soulful side of his sound for this one that balances a more crossover ready sound with spacier touches! The record features one a pop jazz take on "Just The ... LP, Vinyl record album
Wild and wonderful work by Keith Jarrett – light years away from his records on ECM! The album features a quartet that includes Dewey Redman on tenor, Charlie Haden on bass, and Paul Motian on drums – but it's clearly Keith who's driving the bus here, taking lots of odd twists and ... LP, Vinyl record album
An early 60s collection from three sessions in 1947, with Miles Davis on trumpet, Lucky Thompson on tenor, Duke Jordan, Erroll Garner, and Dodo Marmarosa on piano, Red Callendar, Tommy Potter, and Vic McMillan on bass, and Doc West, Max Roach, and Roy Porter on drums. Titles include "Moose ... LP, Vinyl record album
The music's hand made, but the sound is heavily electric – thanks to some great production work that further pushes the spacier sound of the group! As with other Passport records, Klaus Doldinger's working here not just on saxes (which are great), but also on moog, electric piano, and ... LP, Vinyl record album
Tasty small group work from Groove – with Mr Holmes himself on organ, and the great Larry Willis on electric piano – coming up with a twin electric organ/piano sound that's similar to the one that Groove used on his Comin On Home LP for Blue Note. The difference here is that things ... LP, Vinyl record album
Smooth modern work from Rhetta – a singer who hit a rougher mode on earlier work, but who's singing here with arrangements and production by Kenny Lehman, who gives the record a bigger soul kind of feel. Titles include "Starpiece", "Living Without Your Love", "Treat ... LP, Vinyl record album