This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of the last performances that Stan Getz ever recorded, before departing our planet all too soon – a wonderful live date done at Ventura College in December of 1990, with a sharp quartet that features Frank Strazzeri on piano! Like some of the other material from this newly-revived time ... CD
One of the first real moments of genius from the young Stan Getz – his collaboration with guitarist Jimmy Raney, whose sharp tone matched the rasp of Stan's tenor beautifully! The material's got a lot more edge than Stan's work with guitarist Johnny Smith – and this big set features ... CD
Excellent early material from Stan Getz – some of his first recordings ever, done when both his tenor sound and bop were in their infancy! There's a roughness here that's quite different than the Verve style of the 50s – but that's a nice change, too – and it's compelling to hear ... CD
A lost late session by Stan Getz – and one of his greatest recordings of the 80s! The album's got the simple elegance of some of his best Verve work – with a group that features Stan on tenor, Kenny Barron on piano, George Mraz on bass, and Victor Lewis on drums. The combination of ... CD
Poncho Sanchez is a genius – one of the leading lights of the west coast Latin scene at the end of the 70s, and a musician who's never failed to give us his best over the decades – so much so, that he may well be one of the few (along with Eddie Palmieri) who've continued to keep the ... CD
Bassist Ben Williams definitely comes of age here – serving up a set that's warmly balanced between acoustic and electric modes from the leader, and from the other musicians in the group! The album's got an open, soulful vibe that's not unlike some of the best contemporary projects on Blue ... CD
Andrew Beals & Red Holloway on alto saxophone, Frank Gravis on bass, Grady Tate & Rudy Petschauer on drums, John Hart & Pat Martino on guitar, Brother Jack McDuff & Joey DeFrancesco on organ & Jerry Weldon & Red Holloway on tenor saxophone. CD