This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of Don Pullen's best-known albums, and for good reason too – a well-recorded document of a Montreux performance that helped put Don's piano talents in the spotlight for the rest of the 70s! The record's got a sense of freedom that's quite unusual for Atlantic Records at the time – ... CD
Cool Connoisseur Series reissue that brings together both of the 10" LPs that were recorded by Julius Watkins for Blue Note in the early 50's. This material is a key part of the label's history, but it's also the kind of stuff that they've ignored for years. It's a real treat to have it out ... CD
With Andy Reinhardt on accordian, Glen Moore on bass, Tess Johnson on cello, Matt Wilson on drums, Reggie Washington on electric bass, Paul McCandless on oboe, soprano saxophone & english horn, Cyro Baptista on percussion, Warren Haynes on slide guitar & James "The Worm" ... CD
One of the most mindblowing sets ever from organist Reuben Wilson – his last session for Blue Note, and a much more ambitious record than before! The style here is more Cadet Records concept than the usual smaller combo groove of other Wilson sides for Blue Note – as Reuben's organ is ... CD
A real watershed album from Horace Silver – a record that has him stepping strongly into the 70s – but with a rich new groove that's different both from his 60s work, and from the heavy politics of his United States series too! The album has Horace picking up a slightly electric sound, ... CD
Fantastic studio material from Jimmy's best period on Blue Note! The CD features 6 unreleased tracks – all recorded in 1958, but never issued until now, for some insanely stupid reason! The tracks feature Jimmy's usual organ/guitar/drums trio approach, augmented with some great baritone ... CD
A seminal session as a leader by the young Art Farmer – recorded for United Artists, and a great set of tight lyrical tunes, played by Farmer in his sparkling style – in a group along with Benny Golson on tenor and Bill Evans on piano. Evans is a special treat here, as the 1958 session ... CD